Success

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The 4 Characteristics of Successful People

Think of a successful person you admire.

Have you ever wondered what it is that makes them so successful? They probably have 4 distinct traits...

1. They have bags of OOMPH!

People who succeed have lots of energy. They rise early in the morning and go through their day absolutely focused on what they are doing, and find the same high level of energy for their family, their friendships and enjoying their other interests.

They seem to have a zest for life, and a quality of energy that allows them to fully embrace life's joys and challenges.

What is clear is that they somehow manage stress. They may create stress for themselves, always constantly moving forward, overcoming setbacks, solving problems and encountering more and more. Nevertheless, they seem to be able to cope well.

How do you manage your stress?

. They have a positive attitude

We all have a little voice in our head, chattering away all day.

This 'self-talk', our dominant thoughts, tends to create our reality. We are attracted subconsciously to events and activities which reinforce these thoughts. Have you seriously considered buying a particular model of car … and then for a couple of weeks it seems that almost every car on the road is the model you're thinking about buying? Psychologists call this process 'Gestalt'.

Which is why successful people use phrases like 'I can' and 'I will'. They think about what they want, they are optimistic, dynamic and solution-oriented.

However, the vast majority of people spend lots of time thinking about what they don't want they complain and find excuses for why something won't or didn't work. They have a tendency to get stuck in ruts 'If only I had a better job/a different partner/a better car/more money'.

Is your glass half-full or half-empty?

. They can break out of self-limiting beliefs

Success seems to mean reaching a plateau and then reaching a new one. Nobody gets instant success, and people who 'make it' know that they need to strive, to keep pushing to new heights.

We all have limiting beliefs about what we can achieve or influence. It seems to me that as we age, we collect 'the luggage of life'. All our experiences, the expectations of others, all the praise and comments made in passing this is all packed into our personal luggage of life.

I'm sure you know several people who are weighed down by their luggage, who seem to limit themselves in so many ways. To succeed we have to push on to experience new opportunities, to look beyond our current realities.

To succeed we have to break out of our comfort zones and move beyond our limiting self-beliefs. Aerodynamically, a bumble bee should not be able to fly bumble bees don't know this, and so carry on flying. I suspect the Wright Brothers had quite a bit of bumble bee attitude too.

The secret to breaking out of limiting self-beliefs is simple we must set goals. Goals are the cornerstone of success. Without goals we stand still and decay.

Is your luggage of life limiting you? What are your goals?

4. They might just be using their brains differently

In 181 two American scientists, Roger Sperry and Robert Ornstein, won the Nobel Prize for research that had taken them 5 years. Their work led to the understanding that the two hemispheres (left and right) of the brain had different characteristics and functions and handled mental activity quite differently.

Our 'left-brain' looks after logic, lists, words, numbers, sequences and analysis. Whereas our 'right-brain' works with rhythm, colour, imagination, music, daydreaming and intuition.

And here's the important bit Ormstein found that people who had been specifically trained to use one hemisphere were almost unable to use the other. He also found that once the weak hemisphere was put to work in co-operation with the dominant side there was a substantial improvement in overall performance and ability.

Investigations into the life of Leonardo de Vinci, one of the most exceptional minds ever, suggest the necessity of using both brains to achieve outstanding performance. He excelled in mathematical and logical thinking whilst also being a genius with colour, rhythm and expression. He created blueprints for the helicopter and submarine hundreds of years before their time, and his perfect anatomical drawings of birds in flight illustrate the power of his awesome imagination.

Indeed, Einstein once said 'Imagination is more important than knowledge'. Without imagining bright futures and solutions to our challenges there is no future, only a grinding continuation of the present reality. We need both the dreamers and the schemers.

Perhaps the most exciting thing about all of this is that, whilst we might assume that most of us are left-brain dominant (especially business people), no matter how one-sided our brains may be, we need only exercise the weaker part to become proficient with both and transform our performance. We need not be either artistic or scientific we can be both.

How much of your right brain are you using?

And here's the best news … almost anyone can learn and apply these 4 characteristics to build a truly successful life.

Including you.

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Flight Instruction

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Module A

1)After looking at different definitions I think this one is the best. Management is the process of planning, organizing, leading, and controlling the use of resources to accomplish performance goals. Organization is a collection of people working together in a division of labor to achieve a common purpose (Schermerhorn 00).

)There are three different levels of management. The highest level of management is the top level. The purpose of the top level of management is to determine the broad objectives and procedures necessary to meet the goals established by the board of directors. The top level consists of presidents, executive vice-presidents, and senior vice-presidents. The second level of management is the middle management. This level is responsible for developing operational plans and procedures to implement the broader ones conceived by the top management. This level consists of vice-presidents, directors, and superintendents. The lowest level is operating management. It includes managers, section chiefs, and general supervisors. Operational managers are mostly concerned with putting into action operational plans devised by middle managers (Wells, 1).

)There are five different functions of management. They include planning, organizing, staffing, directing, and controlling. Planning is the process of setting objectives and determining what should be done to accomplish them. Organizing is the process of arranging people and resources to work toward a common purpose. Staffing involves stationing people to work in the position provided for by the organizational structure. Directing is the assignment of different jobs and instructing workers on what should be done. Controlling is the process of measuring performance and taking action to ensure desired results (Schermerhorn 00).

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4)The principles of organization planning that are significant to the air carriers are Unity of Objectives which says that each unit of the company no matter how small must contribute to the accomplishment of goals. Span of Control states that a supervisor can only effectively supervise so many workers before an additional supervisor is needed. Departmentalization is dividing people and functions into groups this will allow them to specialize. Delegation of Authority is allowing people that are capable at the lower end to make certain decisions. Clearly defined duties states that each job should be clearly defined so that it does not overlap with any other jobs. Flexibility is what allows the companies to survive during the changing times. The company must be able to adapt internally and externally. Communication states that there should be a two way flow of communication between the top management and rest of the organization. This flow must be uninterrupted (Wells, 1).

5)Line and Staff organizations are two ways that an organization labels their authority structure. In the line organization the orders come straight from the top down to the people that need to accomplish certain tasks. While in a Staff organization the orders don't flow in a straight line from the top. Although in a staff organization the workers do report to a specific person they may also perform work for people above or below them.

Wells, A. (1). Air Transportation A Management Perspective. New York. Wadsworth.

Schermrhorn, T. (00). Management Management theories. New York. John Wiley & Sons, Inc.

Shaw, S. (1). Airline Marketing and Management. Vermont. Ashgate Publishing Company.

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Eriksonian Analysis of JIm Jones age 20 -40

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Jim Jones - Indiana to California

In 147, Jim Jones was a boy of 16. Unlike most boys his age Jones was not interested in her peers or what was going on at his high school. Instead, he focused more on his studies and his desires to preach. During this time it is frequently noted that Jones had a strange interest in Adolph Hitler and Josef Stalin.

Jones graduated from high school and began his college career eventually earning a degree in education. On July 1, 14, at the age of 18, he married Marceline Baldwin. But from early on it seems that the Jones' marriage was destined for troubles. Jim Jones was often jealous, insecure, and domineering to his wife. Marceline, however, had been taught that marriage was for life and chose to stay with Jim even those his tantrums often annoyed her.

During this time Jones began to doubt his belief in god. He denounced churches for hypocrisy because they turned away parishioners based on skin color. In 15, Jones became engrossed in the Methodist church because of their interests in the rights of minorities. He became a student pastor at the Methodist church that year.

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Jones began his forays into the African American communities, he often brought his young cousin who lived with him and Marceline. Soon he left the Methodist church and began his own. Without financial backing he had to turn to many means to raise money including selling monkeys for $. In 156, he began calling his church The People's Temple. Jones has often been called a rariety of the 150s because he taught integration and equality in a time of segregation. He was also an advocate for adoption. Marceline and Jim adopted a black child and a Korean orphan in addition to their own son.

In 165, Jones and 140 members of The People's Temple moved to Ukiah, California. As the story goes Jones greatly feared a coming nuclear holocaust and he had read in Esquire magazine that Ukiah was the safest area should a nuclear attack occur. After the move to California it became evident to Jones' family that he was heavily involved in drugs and frequently had sex with women other than his wife. Yet, Jones was gaining powerful friends. He had an alliance with the local leader of the John Birch Society. In 168, The People's Temple became part of the Disciples of Christ. It is said that Jones did this to gain access to their more than 1 million reputable members. Jones continued his contacts with many politicians perhaps to increase his own reputation. This along with a newsletter and radio broadcasts eventually led the church to grow to have 570 members.

Jones' relationship with politicians also allowed for him to make a great deal of money which he "unselfishly" gave to charities. But now Jones was an advocate of socialism and teaching the church's children that capitalism were evil. In reality, The People's Temple was not at all egalitarian. Jones placed other white people in places of power leaving the blacks to do the dirty work. He had his followers refer to his as "Father."

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Analysis Erikson - Identity vs. Role Confusion (1 -0)

In analyzing Jim Jones' adolescence and early adulthood I used Erikson's Identity vs. Role Confusion stage. I believe Erikson would say that Jones lacked a clear identity. He had no peer groups. His role models were Adolph Hitler and Joseph Stalin, two of the early twentieth centuries most notorious men. Jones also had his father, a Klansmen. It seems Jones did his best to establish his identity by modeling his father. However, he did not do so in a traditional. Instead he gave off the illusion that he was trying to be the exact opposite of his father. Instead of hating blacks he seemed to embrace them.

I think Erikson might say that Jones never found out who he truly was and did not establish social or vocational identities that were true to his idea of self and he remained confused about the role he would play as an adult.

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Analysis Erickson - Intimacy vs. Isolation (0-40)

I also looked at Jones later years in California through Erikson's stage of Intimacy vs. Isolation. While it may seem that Jones chose intimacy a more direct observation would probably reveal that he suffered from isolation. Jones often presented a domineering and jealous front to his wife. He also slept with various other sexual partners including men. Jones feared rejection and felt deeply rejected every time a parishioner left his congregation. It also seems Jones separated himself by placing himself above his followers by having them call him Father.

It is likely Erikson would have considered Jim Jones to have remained an isolation during this stage. I don't think he would have classified Jones as having formed a shared identity with another instead he would have believed Jones continued to fear intimacy and experience much lonliness.

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Life in the Fast Lane; The James Dean Story

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"Dream as if you'll live forever, live as if you'll die today." Those are the words of a young James Dean. Dean was a small town boy from Fairmount, Indiana, who loved fast cars and fine arts. Mildred Dean, James' mother, died when he was merely nine. Dean made many breakthroughs in the acting business. He took small town dreams and turned them into big city lights. He made all of this possible with his goals and dreams, Dean said, 'All the world is my stage and that is how I plan to live my life.' Though Dean made only three movies, he was showered with affection and loved by America. James Dean was perhaps the most influential star of his time, changing the entertainment industry with his carefree style and rebellious ways.

James Dean attended the University of California, Los Angeles where he met actor James Whitmore, and landed a small part in the television show, Hill Number One. After dropping out of school, Dean worked as a parking lot attendant in Los Angeles. Eventually, after landing small roles here and there, he left Hollywood. for New York. Once James was in New York, he soon landed a spot in the Actors Studio, run by Lee Stratsburg. He gained a small part in the Broadway play, See the Jaguar, and after that his career took off. He was offered a contract to Warner Brothers, and began filming East of Eden He won the Daniel Blum award for, best newcomer, for the play, The Immoralist . Dean loved anything that was fast, especially his cars. He was notorious for having the fastest, most dangerous cars around. In his spare time, he loved to race, and he drove to a race almost every weekend. He was always looking for an adrenaline rush, and the greatest, was the one he found in his racing. East of Eden was James Dean's most successful movie, by far. "Eden" brought more awards and nominations than Giant or Rebel without a Cause would combined.

East of Eden is the modern age story of the Biblical brothers, Cain and Abel. Dean plays Cal, symbolizing Cain, a son competing with his brother Aron, symbolizing Abel, for the affection of his father, Adam. "Eden" was released in 155; it was the only film to be released before Dean's death. This film was Jimmy's first major motion picture, and is remembered as the root of his success. This film was highly controversial and is said to have influenced many more films to be made soon after its release.

James Dean's second movie, Rebel without a Cause, was released very shortly after Dean's death and was regarded as a perfect depiction of James Dean's personality. Though East of Eden gave Jimmy his start, "Rebel" made him a star. In Rebel without a Cause, Dean plays a rebellious teenager who finds company in his friends, two social outcasts. Dean's character is on a seemingly endless search to find his place in an unaccepting society. This movie was an exceptional depiction of many teenagers today, and at the time of the film's release. "Rebel" changed the way the acting industry looked at their youth, by showing America what they didn't want to see. After it's release Julie Harris described Dean 'He's not our hero because he was perfect, but because he perfectly represented the damaged, but beautiful, soul of his time.' Help with essay on Life in the Fast Lane; The James Dean StoryDean's third and final movie, Giant, was, like his first two, a huge success. It was based on the book, by Edna Ferber. In Giant, Dean plays a ranch-hand who is in love with the ranch owner's wife. Dean says he chose this role because he has always been intrigued by the life of a cowboy. Eventually, as Lesley, the ranch owner's wife, gets to know Dean, she falls in love with him as well. Dean said that symbolized all of the temptations he could never gain. The fact that Giant was not as successful as his first two films doesn't mean Dean wasn't just as flawless and charismatic as he always was when he acted. The fact that two of Dean's three films were released after his death helped to ensure that his legacy would live on in many generations to come.

The day after the filming of Giant closed, Dean left Los Angeles in his Porsche Spyder 550 to head to one of the biggest racing events of the year. At the intersection of Routes forty-six and forty-one, near Cholane, California, Dean collided with another vehicle. When the authorities arrived, it was determined Dean died instantly. Jimmy was brought back to Fairmount and was buried in Park Cemetery. Now, forty years later, people still watch and adore James Dean. He was the new face of acting and will never be forgotten. There are countless fan clubs and groups devoted to Dean's life and there always will be. He was America's heartthrob, and, though he lived a short life, he lived it for all it had. Dean lived for the moment and never looked back, and those were the qualities that will keep his legacy alive forever. It was once said, regarding Dean's life, that "Writers were so consumed by his reckless lifestyle on the surface, that they missed, for whatever reason, his genius."

Please note that this sample paper on Life in the Fast Lane; The James Dean Story is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Life in the Fast Lane; The James Dean Story, we are here to assist you. Your cheap custom college papers on Life in the Fast Lane; The James Dean Story will be written from scratch, so you do not have to worry about its originality.

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"Foul Play" My favorite Movie

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Who in the audience like good comedy/suspense movies?

I have always loved good comedy/suspense movies. And this is a good one. Foul Play is very funny, clean humor and suspenseful. I have yet to see a movie with a balance of such comedy, suspense and drama. Plus it has great actors like Chevy Chase, Goldie Hahn, Dudley Moore, and the loveable, Burgess Meredith. I would say Chevy Chases and Goldie Hahn's best movie, although, very few people know of this movie.

Once you see the lead in to the movie with Barry Manilow singing, " Ready To Take a Chance Again", and sweet and pretty Goldie Hawn driving south on Highway 1 to downtown… you are hooked. The view of the coast with the Pacific Ocean and the Golden Gate Bridge is so beautiful it will take your breath away. You have everything here in one movie- you have action, comedy, satire, thrills, car chases, and more.

Goldie Hawn is adorable, as Gloria Mundy, a lonely library worker who is caught between the opposing opinions of friends who think she should "take a chance," and "be more careful." Then while riding along the coast she stops to help a guy having trouble with his car, the suspense music and the fun starts. And the fun and funny keep up through the whole movie as Hawn stumbles into international intrigue and can't convince anybody to believe her.

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Chevy Chase plays a likable wise-guy police detective who is on suspension for hand-cuffing the mayor of San Francisco on a routine traffic stop. (Chase has to justify, so he claims the Mayor was wearing eye makeup.) Yet he ends up believing and helping Hawn. Not to mention falling in love with her. But then, who wouldn't?

Also great in this movie is Dudley Moore, who has some hilarious sequences as a visiting conductor of the San Francisco symphony. He plays a perverted loser who has a beaver trap apartment complete with piped in Bee Gees music. You'll never hear the song "Staying Alive" again, without remembering this scene and Dudley's hilarious revolution.

Personally, I thought the mix of laughs and danger were timed very well. You're on the edge of your seat with built up tension and then you release that tension with a lot of laughter. And did I laugh? Yes! This movie is totally hilarious with sidesplitting laughter, I laughed my butt off! Goldie Hawn was so funny and adorable and Chevy Chase was so funny and cute, they had great chemistry together.

Watch this movie and you'll be happy you did. Foul Play is well worth renting and watching. You will even want to watch it more than once. I loved it

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Hamlet

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Hamlet is greatClaudius, the king has murdered his brother, Hamlets father, and married Queen Gertrude. Claudius is considered to be a man of action. Claudius really does not commit evil carelessly, but will certainly waive morality in the light of to manipulate those around him. Claudius is calculating, ambitious and ruthless in his pursuit for

Hallelujah. This book elevates Murray to the front ranks of visionary cultural and digital thinkers....a landmark book... Jon Katz, Hotwired, and Wired Culture News Part 1 of Katz , Part of Katz Review

.[more praise of Hamlet on the Holodeck]

Expanded Table of Contents with (ever expanding) Links to Sources and Illustrations

If you find any errors on this page, or if you want to suggest additional sources, including syllabi in interactive narrative, please send email to jhmurray@mit.edu.

INTRODUCTION A Book-Lover Longs for Cyberdrama

All media as extensions of ourselves serve to provide new transforming vision and awareness. -- Marshall McLuhan

Our various improvements not only mark a diminution of the function improved upon...but they also work to dissolve some of the fundamental authority of the human itself. We are experiencing the gradual but steady erosion ... of the species itself. -- Sven Birkerts

Janet Murrays Interactive Fiction course at MIT

Debate between Janet Murray & Sven Birkerts in HotWired July 7

MITs Shakespeare Electronic Archive

PART I. A NEW MEDIUM FOR STORYTELLING

1. Lord Burleighs Kiss [Utopian vs. Dystopian Visions of Interactive Narrative the Star Trek holodeck vs. Huxleys feely]

Alien Kisses

Captain Janeway on the Holodeck Still Image

Mini-FAQ The Holodeck and Computer

The Thinking Womans Feely

interview/review in Mania

Correction to Endnote Chapter 1 note 7 David Denby Buried Alive Our Children and the Avalanche of Crud The New Yorker, 15 July 16, 48-58. (This citation is incomplete in the printed text. Thanks to Susan Belasco for this correction.)

. Harbingers of the Holodeck

The Multiform Story

The Active Audience

What are MUDs?

A Graphical MUD

Other MUDs

Howard Rheingold on MUDS from The Virtual Community (1)

Movies in Three Dimensions

IMAX D Wings of Courage

IMAX D Across The Sea Of Time

Riding the Movies

Back to the Future® - The Ride

Dramatic Storytelling in Electronic Games

Masterpiecesof Infocom

and the recent Hotel New Zork

Story Webs

The Spot

Crimescene (formerly Crime Story)

Hyperizons Michael Schumates guide to hypertexts

Hypertext Survey Page from Germany

O Moscovita by Ricardo Anderdos, story web from Brazil

Post-Modern Hypertext Theorists and Practitioners

Michael Joyces Afternoon

Eastgate Systems

Mark Amerikas Grammatron

HypertextAn Overview, by George Landow (1)

Stuart Moultrops On-line Essays

Chip Morningstars How to Deconstruct Almost Anything, or what happens when an engineer looks at postmodernism

Computer Scientists as Storytellers

ALIVE Project

CMU SCS OZ Project Home Page

Diamond Park Virtual Reality Environment

University of Illinois CAVE Virtual Reality System and CAVE Demonstration Projects

. From Additive to Expressive Form [the distinctive properties of the digital environment as a storytelling medium]

Beyond Multimedia

Excerpt from Chapter

ELIZA Comes to Life

Eliza

Norman Holland, Eliza Meets the Post-Modern, EJournal, April 14.

Digital Environments Are Participatory

John Updikes collaborative murder mystery

LifetimeTVs collaborative horror story

Bubbes Back Porch, anthology site including reader-submitted stories

Digital Environments Are Procedural

Zork A Computerized Fantasy Simulation Game

Digital Environments Are Spatial

Stuart Moulthrops Victory Garden

Digital Environments Are Encyclopedic

For example print and broadcast news in the form of newspapers , radio broadcasts, and TV shows have all moved online, including their archives e.g. Chicago Tribune, The New York Times on the Web. ,MSNBC , CNN, National Public Radio

Digital Structures of Complexity

As We May Think by Vannevar Bush (The Atlantic Monthly Magazine 145)

Douglas Engelbart on Augmenting Human Intellect picking up on Bushs ideas (October 16)

Ted Nelson, who coined the term hypertext and the Xanadu hypertext system

Hypertexted excerpt from Ted Nelsons Literary Machines in Feed Magazine

Artificial Life Games Homepage

Mitchell Resnick and Brian Silverman, on-line active essay, Exploring Emergence

PART II. THE AESTHETICS OF THE MEDIUM

4. Immersion

In short, he so buried himself in his books that he spent nights reading from twilight till daybreak and the days from dawn till dark; and so from little sleep and much reading, his brain dried up and he lost his wits. He filled his mind with all that he read in them, with enchantments, quarrels, battles, challenges, wounds, wooings, loves, torments, and other impossible nonsense; and so deeply did he steep his imagination in the belief that all the fanciful stuff he read was true, that ...{h}e decided....to turn knight errant and travel through the world with horse and armour in search of adventures. -- Don Quixote de la Mancha

Entering the Enchanted Place

The Society for Creative Anachronism

The KidsRoom, a project of the MIT Media Lab

Finding the Border

Structuring Participation as a Visit

The Active Creation of Belief

Please note that this sample paper on Hamlet is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Hamlet, we are here to assist you. Your cheap custom college paper on Hamlet will be written from scratch, so you do not have to worry about its originality.

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Poetry in Nature vs. Urban Poetry

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Imagine two totally different images staring out at you, one in each hand. In your left hand, a country infected with the disease of modernity and self-image, crammed with towering blocks, or rather, steel studded coffins, as Tan Bee Kee writes in Cranes. This grave, like a grim, sinister cloud, spans nearly the entire expanse of land, having engulfed everything beneath it with its rules of conformity. Everywhere you look; nothing but the same dreary, gray, looming concrete giants stares out at you.

In the other hand, the exact opposite miles and miles picturesque green fields, leading into dense forests as far as the eye can see. Clumps of striking wildflowers hide within the tall grasses amidst the melody of bluebirds resonating among the trees. The occasional farmhouse, surrounded by flocks of sheep, being herded into their pens by the bounding sheepdogs. Endless white beaches, with the tranquil sound of the Atlantic waves crashing onto the shore…

Between the two, such vast contrast is seen. What other than this same amount of contrast is expected in the works of poets from these two extremes of their surroundings? However, what is it that brings about such differing pictures and the literary differences between a Singaporean poet's work and that of a British poet?

Firstly, Singapore is a well off country. Just as the image in your left hand shows, Singapore's already minute amount of land has been used up for such urban development. And since everywhere is more or less the same, it would be natural for the surroundings to be reflected in Singaporean poets works, through them writing about what they see everyday; the buildings and such. Proof of this is in the book No Other City the Ethos Anthology of Urban Poetry. Almost all of the poems there are related either directly or indirectly to the poets' everyday life. They write about the kiasu and showoff nature of most Singaporeans in Bigger, Newer, Better, and of the ever-ongoing construction works, in Nation-Building. In addition, there is a pitiful amount of views that can be used to inspire 'nature poetry'. The beaches are small, debris-strewn and made of low quality sand, witness to the equally polluted and dirty sea. What's left of any natural greenery are scattered sparsely over the island, and most of our greenery are neatly lined along roads or streets, oddly formal. Help with essay on Poetry in Nature vs. Urban PoetryBritain, on the other hand, is quite the opposite. It is not fully urbanized, and has a profusion of natural environments for the poets to draw infinite inspiration from. For example, the wife of Poet Laureate Ted Hughes, Sylvia Plath, a celebrated poet herself, had loved the sea and spent much of her time gazing at the pristine waters while sitting by the coast. Eventually, this seascape provided the source for much of her later poetic imagery.

Another example would be that of William and Dorothy Wordsworth, poets and siblings. They had a special relationship with nature and with one another. Both of them utilized the beauty of their surroundings in their poems. William, aided by his sister, wrote poems on his travels on foot by place to place, reflecting the sights and sounds he encountered during his travels. This was especially true when he resided with his sister, and later his wife, at Grasmere in the lake country which provided much inspiration for his poem, Daffodils.

Secondly, Singapore is a young country and does not have a rich history. Therefore, poets tend to reflect about their surroundings and the future, as both they and Singapore has not experienced much in its limited history. Poems like Naming Parts of the CBD, Shenton Way 1 by Heng Siok Tian and A Prophecy Disclaimed, by Gui Wei Hsin, talk about how Singapore is an urban center and such. This is very much unlike Britain, which has a long winding history. Furthermore, most nature poets in Britain refer to the past to provide the contrast between past and present. William Wordsworth, had gone on a walking tour through revolutionary France, which was near Britain. He had seen how nature was 'distorted' through the acts of men destroying trees and constructing factories and buildings. Wordsworth was sad for Nature and lamented about the damage that was being done to it and how it was wrong and he longed for Nature in his poem The World is Too Much with Us.

It is true that Britain has an urban part to it. However, much unlike Singapore, it has a beautiful countryside to compare with. Also, the four seasons experienced by Britain affects the poets' work as well. In winter, where everything is covered in a pure blanket of snow, it is an experience to remember. This is yet another source for British poets to draw inspiration and motivation from.

With this, I quote Work In Progress by Felix Cheong, which truly instigates some thinking, about what we as a country have actually achieved.

why this upheaval

constant as our coastlines

eaten by tides,

the way streets and lands

are chewed and spat

between the pages of directories

till the crumbling past

is no more than a concrete heap

ready for another retro-fit

we are a country of dust

where nothing is saved

but face.

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