Poetry in Nature vs. Urban Poetry

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Imagine two totally different images staring out at you, one in each hand. In your left hand, a country infected with the disease of modernity and self-image, crammed with towering blocks, or rather, steel studded coffins, as Tan Bee Kee writes in Cranes. This grave, like a grim, sinister cloud, spans nearly the entire expanse of land, having engulfed everything beneath it with its rules of conformity. Everywhere you look; nothing but the same dreary, gray, looming concrete giants stares out at you.

In the other hand, the exact opposite miles and miles picturesque green fields, leading into dense forests as far as the eye can see. Clumps of striking wildflowers hide within the tall grasses amidst the melody of bluebirds resonating among the trees. The occasional farmhouse, surrounded by flocks of sheep, being herded into their pens by the bounding sheepdogs. Endless white beaches, with the tranquil sound of the Atlantic waves crashing onto the shore…

Between the two, such vast contrast is seen. What other than this same amount of contrast is expected in the works of poets from these two extremes of their surroundings? However, what is it that brings about such differing pictures and the literary differences between a Singaporean poet's work and that of a British poet?

Firstly, Singapore is a well off country. Just as the image in your left hand shows, Singapore's already minute amount of land has been used up for such urban development. And since everywhere is more or less the same, it would be natural for the surroundings to be reflected in Singaporean poets works, through them writing about what they see everyday; the buildings and such. Proof of this is in the book No Other City the Ethos Anthology of Urban Poetry. Almost all of the poems there are related either directly or indirectly to the poets' everyday life. They write about the kiasu and showoff nature of most Singaporeans in Bigger, Newer, Better, and of the ever-ongoing construction works, in Nation-Building. In addition, there is a pitiful amount of views that can be used to inspire 'nature poetry'. The beaches are small, debris-strewn and made of low quality sand, witness to the equally polluted and dirty sea. What's left of any natural greenery are scattered sparsely over the island, and most of our greenery are neatly lined along roads or streets, oddly formal. Help with essay on Poetry in Nature vs. Urban PoetryBritain, on the other hand, is quite the opposite. It is not fully urbanized, and has a profusion of natural environments for the poets to draw infinite inspiration from. For example, the wife of Poet Laureate Ted Hughes, Sylvia Plath, a celebrated poet herself, had loved the sea and spent much of her time gazing at the pristine waters while sitting by the coast. Eventually, this seascape provided the source for much of her later poetic imagery.

Another example would be that of William and Dorothy Wordsworth, poets and siblings. They had a special relationship with nature and with one another. Both of them utilized the beauty of their surroundings in their poems. William, aided by his sister, wrote poems on his travels on foot by place to place, reflecting the sights and sounds he encountered during his travels. This was especially true when he resided with his sister, and later his wife, at Grasmere in the lake country which provided much inspiration for his poem, Daffodils.

Secondly, Singapore is a young country and does not have a rich history. Therefore, poets tend to reflect about their surroundings and the future, as both they and Singapore has not experienced much in its limited history. Poems like Naming Parts of the CBD, Shenton Way 1 by Heng Siok Tian and A Prophecy Disclaimed, by Gui Wei Hsin, talk about how Singapore is an urban center and such. This is very much unlike Britain, which has a long winding history. Furthermore, most nature poets in Britain refer to the past to provide the contrast between past and present. William Wordsworth, had gone on a walking tour through revolutionary France, which was near Britain. He had seen how nature was 'distorted' through the acts of men destroying trees and constructing factories and buildings. Wordsworth was sad for Nature and lamented about the damage that was being done to it and how it was wrong and he longed for Nature in his poem The World is Too Much with Us.

It is true that Britain has an urban part to it. However, much unlike Singapore, it has a beautiful countryside to compare with. Also, the four seasons experienced by Britain affects the poets' work as well. In winter, where everything is covered in a pure blanket of snow, it is an experience to remember. This is yet another source for British poets to draw inspiration and motivation from.

With this, I quote Work In Progress by Felix Cheong, which truly instigates some thinking, about what we as a country have actually achieved.

why this upheaval

constant as our coastlines

eaten by tides,

the way streets and lands

are chewed and spat

between the pages of directories

till the crumbling past

is no more than a concrete heap

ready for another retro-fit

we are a country of dust

where nothing is saved

but face.

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