Crucible news

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A 40-year-old woman, later identified as Mrs. Ann Putnam, was rushed to the hospital today after neighbours found her unconscious in front of her house. Medical specialists later declared that she had suffered from mild suffocation. Upon regaining consciousness, Mrs Putman declared that before fainting she was desperately searching for the reason behind the deaths of her unborn babies.

This event forces many to believe that in the possibility that supernatural powers were used to kill the Putnam children as well as preventing their mother from finding their killer and avenging their deaths.

Reverend John Hale has been working with city police in a cooperative effort to find the source of this unholy act. So far they have arrested may women who are believed to be working with the devil, but none in connection with this case.

Sources tell us however that Mrs Rebecca Nurse is being investigated as a potential suspect, her motivation being her jealousy towards the Putnam family.

The first suspicions against Goody Nurse arose at an informal gathering at Reverend Parris' house, caused by his daughter's illness, at which time Goody Nurse was quick to refute all suspicions of witchcraft associated with Betty's illness.

In a press release Mrs Ann Putnam stated "The speed at which she brushed aside any possibility of witchcraft associated with my children's deaths was a sure sign of her quilt".

Furthermore, insiders inform us that Goody Nurse's affiliation with Mrs Putnam, as her midwife, is the crucial piece of evidence that could send her to death row.

However, others say that these tragic deaths are in no way a result of witchcraft, but are instead simply the will of God; something that must not be questioned or investigated.

Police say that potential protests in favour of Goody Nurse are to be expected due to her high standing in the town.

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Jack Roosevelt Robinson

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Jack Roosevelt Robinson, the grandson of a slave, was born on January 1, 11 in Cairo, Georgia. He was the youngest of five children. His father deserted the family when Jackie was only six months old. His mother moved the family to California to look for work. (Jackie Robinson,

001)

Jackie displayed extraordinary athletic skills in high school. He excelled at football, basketball, baseball and track. He helped Pasadena Junior College win the Junior College Football Championship and in 1 became a top running back at the University of California at Los Angeles. He left college before graduating and in 14 was drafted into the U.S. Army. He was discharged as a lieutenant in 145 and that same year joined

Custom Essays on Jack Roosevelt Robinson

the Kansas City Monarchs of the Negro Baseball League. (About Jackie, 00)

On October , 145, Robinson signed a contract with Brooklyn Dodger president, Branch Rickey. Many owners and sportswriters were against this integration, claiming that it would destroy major league baseball. Spring training in Florida was rough for Robinson due to segregation

laws. He was forced to ride in the back of buses, and some games in which he was scheduled to play were canceled due to his presence. He was subjected to threats, racial insults and hate mail. Fans would yell obscenities

at him from the stands. Pitchers often threw balls directly at him and base runners would spike him with their cleats.

Despite the adversity he faced, Robinson led the league in stolen bases and was named Rookie of the Year. In 147 he was name the National League's Most Valuable Player. He went on to play Major League Baseball until his retirement in 157 and in 16 he was inducted into the Baseball

Hall of Fame. (Tygiel, 18)

Jackie Robinson made significant strides in bringing racial equality to not only the sports arena, but to other areas as well. By breaking the color barrier in baseball, he courageously challenged racial segregation in both the

North and the South. Jackie Robinson is honored as the man who stood against racial inequality. His life has had a profound influence on the American culture.

African Americans are the largest U.S. ethnic minority group. The African American population has been growing at a faster rate than the total population. They have experienced a long history of struggle yet with the educational changes that have been made their future is brighter and more optimistic. They are receiving more opportunities in employment, education and housing which will allow for an improved standard of living.

And educators are better trained in diagnostic approaches and individualized education, which will better equip African Americans to succeed in every area of life. (Manning and Baruth, 000)

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Oh Yeah!

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Searched the web for colonial similarities and differences. Results 11 - 0 of about 51,600. Search took 0.14 seconds.

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Please note that this sample paper on Oh Yeah! is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Oh Yeah!, we are here to assist you. Your cheap custom college paper on Oh Yeah! will be written from scratch, so you do not have to worry about its originality.

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Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE!

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Although every culture has its own distinct folklore and mythology, there are certain image patterns that seem to be universal. These image patterns, or archetypes, are closely related to both oral and written storytelling, and strike †'some very deep chord' in human nature (Guerin 158), eliciting a common response, whether conscious or subconscious, from the reader or listener. Archetypes appear time and time again in literature; their presence can determine whether or not a piece of writing is considered a classic. Charlotte Perkins Gilman's short story, †The Yellow Wallpaper, is a voyeuristic examination of the psyche of a woman suffering from †temporary nervous depression â€" a slight hysterical tendency (Gilman 1), who is driven to full-fledged hysteria after being trapped in a yellow-wallpaper-ed prison. Jungian Archetypal theory is an offshoot of psychological analysis, as Jung was one of Freud's students, and therefore the two theories are often closely linked in literary criticism. Archetypal analysis is appropriate for this psychological story because it includes aspects of Freud's theory while giving it a broader scope. †The Yellow Wallpaper contains several reversed or negative archetypes that appear as the narrator furthers her inverted ‘quest' to free her shadow, or her descent into insanity.

As archetypal analysis deals quite often with the conscious and subconscious mind, the two parts of the †Self (Jung ) figure greatly in this critical theory. In †The Yellow Wallpaper, the narrator is trapped in a prison-like room, and sees images in the wallpaper that come to look like a woman trapped behind bars. This †creeping woman is, in Jungian terms, the narrator's shadow,

or a dissociation of her Self. Shadows and dissociations often contain the darker, more aggressive or sexually liberated aspects of the person's psyche (Jung 7) in this instance a sort of freedom of thought as well as escapism. The trapped woman can get out in the daytime, creeping around the garden or †away off in the open country, creeping as fast as a cloud shadow in a high wind (Gilman, 1). The narrator, on the other hand, can only creep behind the locked doors of her prison, when she is completely alone.

The shadow could also be the woman's animus- †the male personification of the unconscious within a woman (Jung 18). Even though she is female, the shadow is more aggressive than the passive, nervous narrator, embodying what are traditionally considered more ‘masculine' traits. And while the animus does not quite represent the Jungian †demon of death (Jung 1), in this story, it does, in a way, herald the death of the narrator's sanity. Just as the woman behind the paper serves as a manifestation of the struggle between the two forces of the narrator's Self, her contradictory monologues and the swings in her mental state as shown through her journal entries are a written expression of her internal conflict that eventually leads to her losing her mind.

Help with essay on Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE!

These two forces of the narrator's Self come together in a very symbolic scene, where the two women meet at the bars and work together to get †the poor thing out (Gilman 1). From then on the narrator says †I and not †she, having completely identified with her woman behind the wallpaper, and declined into complete madness. With this, Gilman suggests that a person can release the

dark recesses of his or her psyche and combine the different aspects of the self, but not retain stability, as an imbalance is created.

One of the most important and commonly seen Jungian Archetypes is the Hero archetype of transformation or redemption, who comes in three stages Quest, Initiation and Sacrifice (Guerin 167). The narrator in Gilman's story falls into the latter Hero archetype (transformation), going through her own personal quest, initiation and sacrifice, although not as a scapegoat or atonement. Her

quest is inverted, more of a descent, really, as she spends the summer in the room with the hideous yellow wallpaper and becomes increasingly ill despite her physician husband John's protestations of †Really dear you are better (Gilman ). At first the narrator finds the paper †repellent, almost revolting; a smouldering unclean yellow (Gilman ), but gradually feels that she is the only one who can understand it and not be affected by it. Her quest changes as she sees the image of a trapped woman in the paper, and she devotes her attentions to getting this woman out, eventually realizing that she herself is trapped. Her impossible initiation tasks are not epic or mythological in the conventional literary sense, but her internal struggle is no small feat. The sacrifice at the end is of her mind. She has been driven to this hysterical state by the repressive nature of her husband's care and the sheer pressure and intensity of her physical and psychological prison. Unlike the typical Jungian Heroic sacrifice, however, nothing is achieved at the end of the story; the land is not restored to fruitfulness by her sacrifice.

Gilman, Charlotte Perkins. †The Yellow Wallpaper and Other Stories.

Mineola, New York Dover Trift Editions, 17.

Guerin, Wilfred L., et al. A Handbook of Critical Approaches to Literature.

New York Oxford University Press, 1.

Jung, Carl G. Man and His Symbols. New York Dell Publishing Co. Inc., 164.

Please note that this sample paper on Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE! is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE!, we are here to assist you. Your cheap custom college paper on Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE! will be written from scratch, so you do not have to worry about its originality.

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Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE!

If you order your custom term paper from our custom writing service you will receive a perfectly written assignment on Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE!. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE! paper right on time.

Out staff of freelance writers includes over 120 experts proficient in Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE!, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE! paper at affordable prices !

Although every culture has its own distinct folklore and mythology, there are certain image patterns that seem to be universal. These image patterns, or archetypes, are closely related to both oral and written storytelling, and strike †'some very deep chord' in human nature (Guerin 158), eliciting a common response, whether conscious or subconscious, from the reader or listener. Archetypes appear time and time again in literature; their presence can determine whether or not a piece of writing is considered a classic. Charlotte Perkins Gilman's short story, †The Yellow Wallpaper, is a voyeuristic examination of the psyche of a woman suffering from †temporary nervous depression â€" a slight hysterical tendency (Gilman 1), who is driven to full-fledged hysteria after being trapped in a yellow-wallpaper-ed prison. Jungian Archetypal theory is an offshoot of psychological analysis, as Jung was one of Freud's students, and therefore the two theories are often closely linked in literary criticism. Archetypal analysis is appropriate for this psychological story because it includes aspects of Freud's theory while giving it a broader scope. †The Yellow Wallpaper contains several reversed or negative archetypes that appear as the narrator furthers her inverted ‘quest' to free her shadow, or her descent into insanity.

As archetypal analysis deals quite often with the conscious and subconscious mind, the two parts of the †Self (Jung ) figure greatly in this critical theory. In †The Yellow Wallpaper, the narrator is trapped in a prison-like room, and sees images in the wallpaper that come to look like a woman trapped behind bars. This †creeping woman is, in Jungian terms, the narrator's shadow,

or a dissociation of her Self. Shadows and dissociations often contain the darker, more aggressive or sexually liberated aspects of the person's psyche (Jung 7) in this instance a sort of freedom of thought as well as escapism. The trapped woman can get out in the daytime, creeping around the garden or †away off in the open country, creeping as fast as a cloud shadow in a high wind (Gilman, 1). The narrator, on the other hand, can only creep behind the locked doors of her prison, when she is completely alone.

The shadow could also be the woman's animus- †the male personification of the unconscious within a woman (Jung 18). Even though she is female, the shadow is more aggressive than the passive, nervous narrator, embodying what are traditionally considered more ‘masculine' traits. And while the animus does not quite represent the Jungian †demon of death (Jung 1), in this story, it does, in a way, herald the death of the narrator's sanity. Just as the woman behind the paper serves as a manifestation of the struggle between the two forces of the narrator's Self, her contradictory monologues and the swings in her mental state as shown through her journal entries are a written expression of her internal conflict that eventually leads to her losing her mind.

Help with essay on Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE!

These two forces of the narrator's Self come together in a very symbolic scene, where the two women meet at the bars and work together to get †the poor thing out (Gilman 1). From then on the narrator says †I and not †she, having completely identified with her woman behind the wallpaper, and declined into complete madness. With this, Gilman suggests that a person can release the

dark recesses of his or her psyche and combine the different aspects of the self, but not retain stability, as an imbalance is created.

One of the most important and commonly seen Jungian Archetypes is the Hero archetype of transformation or redemption, who comes in three stages Quest, Initiation and Sacrifice (Guerin 167). The narrator in Gilman's story falls into the latter Hero archetype (transformation), going through her own personal quest, initiation and sacrifice, although not as a scapegoat or atonement. Her

quest is inverted, more of a descent, really, as she spends the summer in the room with the hideous yellow wallpaper and becomes increasingly ill despite her physician husband John's protestations of †Really dear you are better (Gilman ). At first the narrator finds the paper †repellent, almost revolting; a smouldering unclean yellow (Gilman ), but gradually feels that she is the only one who can understand it and not be affected by it. Her quest changes as she sees the image of a trapped woman in the paper, and she devotes her attentions to getting this woman out, eventually realizing that she herself is trapped. Her impossible initiation tasks are not epic or mythological in the conventional literary sense, but her internal struggle is no small feat. The sacrifice at the end is of her mind. She has been driven to this hysterical state by the repressive nature of her husband's care and the sheer pressure and intensity of her physical and psychological prison. Unlike the typical Jungian Heroic sacrifice, however, nothing is achieved at the end of the story; the land is not restored to fruitfulness by her sacrifice.

Gilman, Charlotte Perkins. †The Yellow Wallpaper and Other Stories.

Mineola, New York Dover Trift Editions, 17.

Guerin, Wilfred L., et al. A Handbook of Critical Approaches to Literature.

New York Oxford University Press, 1.

Jung, Carl G. Man and His Symbols. New York Dell Publishing Co. Inc., 164.

Please note that this sample paper on Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE! is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE!, we are here to assist you. Your cheap custom college paper on Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE! will be written from scratch, so you do not have to worry about its originality.

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Loot by Joe OrtonThe Central Concerns of the Play and How they are Dramatised

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Loot by Joe Orton

The Central Concerns of the Play and How they are Dramatised

Loot is a satire the normal moral conventions of behaviour in civilised, Western, society are turned upside down and the rules are broken down. This is epitomised by Truscott as a symbol of law and authority doing what he should not do. He does not uphold the law and he breaks the law in his investigation by deception, violence and dishonesty and corruption. Orton wrote the Play in the 160's which was a time of social re-evaluation and he attacks all the bastions of the Western world religion, law and order, love and marriage, and respect for the dead. He relies on dramatic irony and the collusion of the audience to understand the moral message hidden in the comedy of the Play.

The structure of the Play mirrors a detective story in many respects. A crime has been committed and a detective has to solve it. Truscott is a parody of the detective novel detective with his pipe and magnifying glass and pedantic language. In Act One the exchange between Truscott and Fay reads like an Agatha Christie or Sherlock Holmes novel with the totally unrealistic reading of clues

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TRUSCOTTMy methods of deduction can be learned by anyone with a keen eye and quick brain. When I shook your hand I felt a roughness on one of your wedding rings. A roughness I associate with powder burns and salt. The two together spell a gun and sea air. When found on a wedding ring only one solution is possible.

The characters are mainly stereotypes and the dialogue offers no insight to their feelings. They have no psychological depth and are merely over-simplified images used to comment on the institutions or conventions they represent. Fay is a nurse who kills rather than heals and is the archetypal hypocritical religious plaudit who uses Catholicism for her own ends. This is acknowledged by her comment on Mrs McLeavy believing in some of the Ten Commandments. Hal represents truth in that he cannot tell a lie and McLeavy represents innocence. Truscott is the law, justice and authority. Dennis is less easy to categorise as he is a truly dishonest and totally unsympathetic character.

Orton uses the audience's feelings to create a contrast. They presumably have decent moral feelings that react to the complete absence of feelings in the characters on the stage. One would expect certain emotions from a son whose mother has just died, but they are not present. McLeavy shows some regret, but the audience cannot take his sentiments seriously when he shows more feeling and interest in the flowers for the hearse than he does for his wife. This collusion with the audience is part of the technique and nature of satire, but Orton goes further by using as his material the subject of the death of a mother and wife while showing no respect for the dead and no grief. He dramatises the fact that he is dealing with the conventions associated with the situation and not with the emotions.

One of the central concerns of the Play is hypocrisy and this is neatly dramatised by the lack of emotion while following the conventions and formal rites of religion associated with death the pageantry of the funeral car procession, the flowers, the black dress (borrowed from the dead woman), the veil of mourning and the book of the Ten Commandments. Orton criticises almost every sacrosanct element of religion with his priest who cannot keep confidences after confession and his religious fanatic nurse who is a murderer. Orton is also questioning the matter of the truth. Hal is unable to tell a lie and he always speaks the truth, but he is not honest. Sometimes he is not believed and on other occasions he does not tell all

TRUSCOTTBut he is stupid. He's just admitted it. He must be the stupidest criminal in England. Unless - unless, unless he's the cleverest.

Orton uses simple dialogue and everyday vocabulary in a realistic way, however, it does not always say what it appears to and one of the frequent comedy techniques of his writing is verbal misunderstandings and double meanings. He uses dramatic irony in that the audience know of Hal and Dennis' guilt and of Fay's intentions. What is not clear until the end of the Play is that it is a form of double irony as it appears that Truscott knew more than we thought.

There is a consistent motif in the Play concerning deception and how things are seen. There are symbolic tools and non-verbal messages representing hiding and disguise, such as the coffin, the wardrobe and the screen and much of the comedy derives from hiding the body and the potential discovery. But this is more than a comic device, it is part of the satire and the attack on social norms and hypocrisy. It is dramatised especially effectively by the false eyes of the corpse being false and of the wrong colour. If eyes are taken to represent the windows to the soul, as well as being the most identifiable part of the body then this is still more shocking. The corpse is no longer a person as it has no innards (no heart) and no eyes and truly is just the 'dummy' that Hal and Fay pretend it is. Yet, this is how most bodies are buried. There is all the pomp and ceremony of the funeral and 'respect for the dead' over a body that has already been defiled and rendered neutral.

A repeated conflict in the Play is that between truth and honesty - how things appear and how things really are. In a Shakespearean play this would be represented by two different worlds, but Orton shows us the world beneath the surface in one world and asks us to reflect upon ourselves and our society. Orton is saying that the innocent and the 'meek' shall not inherit the earth and that the winners are those who know the rules. However, with the expert cut of his satire the audience knows that his message to us is that this is not how life should be. Although the title of the Play is "Loot" this does not seem to be a central concern of satire unless one takes it to mean that money and the desire for wealth have overturned all moral values, displacing respect for the dead as it displaces the body in the coffin.

Please note that this sample paper on Loot by Joe OrtonThe Central Concerns of the Play and How they are Dramatised is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Loot by Joe OrtonThe Central Concerns of the Play and How they are Dramatised, we are here to assist you. Your cheap research papers on Loot by Joe OrtonThe Central Concerns of the Play and How they are Dramatised will be written from scratch, so you do not have to worry about its originality.

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The grimm vs disney

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Every Girls Dream An Anaylsis of The Tale of Cinderella Through Time and Culture

Remember back to sitting in a large circle in kidergarten. The game is Telephone; the game starts with the first person whispering a phrase in to the next person's ear and that person repeats the phrase into the next, and so on and so forth. When it come to the last person the line stops and they say the sentence aloud and it usually ends up being much different then that of the what the first person said. The more people in the cicle the more distorted your phrase becomes. This is the best metaphor to use when describing what happens to fairy tales as they cross through cultures and generations although the character, plot, or moral (s) stays the same the detail of the story changes to suit the current society. Fairy tales as we know them today are much different then they used to be, originally fairy tales were meant for adult audiences and were not intended for children's ears for they contained gruesome acts, and sexual conduct. It was not until the Victorian era that fairy tales became stories meant for children. Also it wasn't until the Victorian era that the fairy tales were told by men, prior to this era, fairy tales were told and written by educated women, the Victorian era brought about middle class men writing fairy tales, and even still many of them admitted to collecting or being inspired by women for their tales. This is when most of the drastic "cleaning up" of the stories took place, and this process of sweetening up has continued in to the present. One of the world's most famous fairy tales of all time is Cinderella a classic fairy tale whih has been dated back to the stone ages. Through all the various versions of Cinderella it creates the ideal story for a children's fairy tale and in all of the versions ultimately shows the triumph of good over evil and shares a universal theme despite it's cultural influences in additional characters and setting to becomes the world's most popular and timeless classic.

In all of the versions of Cinderella is the man's daughter, and he always obtains an evil stepmother, who has another daughter or two who are as evil as the mother herself. The fact that Cinderella is always the daughter of the man due to historical accuracy and the talling of the real life in the times that these fairy tales started, many times women died during labour. And that the stepmother is evil because many times men would be presauded in to marrying some one who is not nice because they wanted a women to raise the child because they were better at it then men were. Also the evilness of the other women in the household is brought out by jealousy

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Paper on Tostino coffee

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Tostino Coffee Roasters began roasting in 184, is the best-tasting boutique coffee in the nation comes not from the intimate cafes of Seattle or the micro roasters of San Francisco, but from nondescript industrial building on the South Side of Tucson.

Today, Tostino Coffee Roasters is successful in producing one of the finest specialty gourmet coffee lines in the Unite States and Mexico. The company is known for the quality of its coffees. Due to stringent quality control standards it maintains, Tostino has been successful in producing one of the finest specialty gourmet coffee lines in the United States industry. Tostino has its own selection process and qualifications which submits every green coffee samples sent to it. Tostinos has proven to only select and offer the best quality ever, this is why the company rejects more than 70% of all green coffee samples. Throughout the processing

of the coffee beans, Tostinos maintain their custom machinery to the highest sanitary standards. Their master roasters are also constantly tweaking temperatures, taking

samples, testing over and over again to assure you the fines beans for a quality cup of coffee.

Tostino coffee Roasters imports select Arabic green beans from over 0 countries around the world. Coffee origin from Brazil, Colombia,

Mexico, Hawaii, Indonesia, Costa Rica, Papua New Guinea, kenya, Guatemala, Jamaica, Etiopía, El Salvador, Peru, and Nicaragua which are imported to the US usually by sea.

At Tostino, the roasting of carefully selected high mountain gorwn beans is a very skilled craft. Different beans require different toasting temperatures for different lengths of time.

Correct heat must be reached quickly and the beans must always be watched carefully. This process is best achieved in a small tended roasts on a daily basis, we continue to monitor with additional tastings to achieve consistent

and optimum flavor. We use fluid bed roasters, which circulate the beans during the roasting process in the air this method heats the entire surface of

the bean and penetrates through the bean much more effectively.

Tostinos offers the following products

(Info retrieved from www.tostino.com)

Different Roasts

Full City Roast, Tostino uses this roast for mos to its coffees. This is a deep, chestnut brown color with the lightest of natural coffee oils on the bean surface, achieving the maximum flavor and Aroma.

Vienna Roast, the lightest of the darker roasts, with the slightest bittersweet tang.

French Roast, roasted until the surface is covered with aromatic oils, a definite bittersweet tang, and slight smokiness.

Italian Roast, the flavor is dominated by a smoky, burnt taste and a very dark brown, almost black, shiny, oily surface.

Decaf Coffees

European Process, this process utilizes solvents and steam that remove the caffeine from the bean. The coffee oils and the coffee are the rejoined to achieve the optimum flavor resulting in 7% caffeine extraction.

Natural Process, a new process utilizing water and ethyl acetate, a substance derived from fruit. This is a process that results in 8% extraction of caffeine.

Swiss Process, beans are immersed in hot water, which is then filtered through activated charcoal. This results in extraction of 7% of the caffeine. No chemicals are used in this process.

Organic & Flavored Coffees

Organic Coffees

All Caf Tostino coffees are OCIA certified organic. They are grown without the use of pesticides, fungicides, herbicides or synthetic fertilizers. These include Colombian, Costa Rican, Peruvian, Guatemalan and French Roast Mexican.

Flavored Coffees

Premium grade coffees, just out of the roaster and artfully blended to create an authentic taste. Flavors include French Vanilla, Cream Brulee, Irish Cream, Hazelnut and Mocha Fudge.

Blended Coffees

After multiple taste tests, Caf Tostino carefully blends new combinations of coffee, offering a unique complexity and balance. Selections include Kona Blend, Gourmet Espresso Blend, Organic House

Blend, Decaf Mocha Java Blend, Messina Espresso Blend and Sunrise Blend.

Espresso

Espresso coffee is made by forcing water under pressure very quickly through finely ground coffee. This produces a 1½ ounce drink with a tan layer of creme, the heart of espresso, on top. Our espresso blends range from mild to very complex. Using Brazils, Africans, and Indonesians, Caf Tostino strives to create a mellow cup.

Euro Espresso Blend

Dark roasted exotic coffees blended for that perfect, smooth, full-bodied cup.

Gourmet Espresso Blend

Traditional Italian flavor with a blend of dark and full city roast coffees.

Italian Espresso

Velvety and dark.

Messina Espresso Blend

Dark roasted coffees that capture the full flavor of a Viennese espresso.

Traditional Espresso

Lighter roasted, with no bitterness

Distribution is through out restaurants and the food service industry in the United States and Mexico.

Tostinos makes .5 Million dollars annually and is rank seventh among the exporters in Arizona.

Tostino is a full manufacturing and packaging facility, including roasting machines, and automated packaging machines.

Besides a growing online marketing program, Tostino is available locally at Rincon Market and Coffee X Change coffee bars.

Nationwide, Tostino is in approximately 1000 retail stores. One of its biggest accounts is 1 Costco discount warehouse stores in the West and Sam's Clubs and Smart and Final discount stores, and in-store coffee bars in Wal-Mart. Tostino also distributes coffee to hotels, restaurants, and the food service industry in this country and Mexico.

The Award from the American Tasting Institute honored Tostino with

an Award of Excellence for its coffee. Tostino, which competed against

Starbucks and Emeryville, Calif. Based Peet's Coffee, also was named a Best-of-show winner. The highest award is Best of Show and next highest is Excellence.

The process of selecting coffee beans, each coffee order is custom batched and freshly roasted. The expertise of Tostino Rastmasters, choose only the finest beans from various estates, growers and distributors

worldwide, the perfect environmental conditions of the plantations, the experience of the plantation owners and the close attention to every detail all come together in the unique taste of the "ultimate cup" of coffee.

Located in Tucson Tostinos formed 1 years ago and has evolved from two employees to its present staff of about 0 and nine in its Mexico city office and still continuing to grow. Tostinos is one of the largest roaster in Arizona and service many of the finer white table cloth restaurants, grocery chains, hotels, offices, and the consumer.

Please note that this sample paper on Paper on Tostino coffee is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Paper on Tostino coffee, we are here to assist you. Your cheap custom college paper on Paper on Tostino coffee will be written from scratch, so you do not have to worry about its originality.

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Chaucer characters

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The Reeve

Chaucer gives the reader a very detailed physical description of the Reeve. The Reeve is described as a slender, old and choleric man. He is cleanly shaven and has short hair. He seems to have a witty attitude about him and a sharp tongue. A Reeve acts as a manager. This Reeve is the manager of an estate and he oversees all work done on the estate. He is very proficient at his job and he can easily pick out cheating by those who work under him. Those under him are not the only ones that must be watched for any kinds of cheating as this Reeve is inclined to do it himself for his master is a young, vulnerable target. The Reeve is also a skilled carpenter.

Sergeant of the Law

The Sergeant of the Law is considered a man of high ranking in the social class. The people consider him to be a wise, good man. He is a Justice of Assize. He knows the law as well as anyone of the time. The Sergeant wears silk and pinstripe as well as a multicolored coat. Chaucer seems to imply that he is not as smart or as good of a person as the people think. This shows that the Sergeant is very skilled at the art of persuasion and appearance.

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Summoner

The Summoner's physical appearance is not a pretty one. He is described as having a pimply, red face with no beard or eyebrows. Children are frightened at the ugly

appearance of the Summoner. Chaucer portrays him as morally corrupt. The Summoner is a low-ranking church officer who summoned people to appear in church. The Summoner is a drinker and is not a kind man.

The Skipper

Chaucer portrays the skipper as a rugged man. The Skipper is the captain of a ship. He is described as wearing a brown gown and unfamiliar at horseback riding. Chaucer also states that he is hardy and prudent in his undertaking. He has a dagger hanging from his neck; this implies that he is familiar with battle. In his ship he wins many battles. The Skipper is an expert navigator and he has a fond knowledge of the ocean as well as many of the creeks and rivers of Spain. The Skipper ignores his conscience and has many negative traits. He kills his prisoners by making them walk the plank.

The Pardoner

The Pardoner is a man who sells pardons for the church. Pardons are ways of washing away ones sin. The only difference is a pardon is bought and is morally wrong. The Pardoner is described as having straight yellow hair. The Pardoner also has a high-pitched voice and no facial hair suggesting he is not mature in appearance. Chaucer tells the reader that the Pardoner is very skilled at his job. Chaucer does not, however, compliment the skills of the Pardoner. The Pardoner sells the pardons but tricks the buyer into buying them. The Pardoner is not considered a good man.

Please note that this sample paper on chaucer characters is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on chaucer characters, we are here to assist you. Your cheap custom college paper on chaucer characters will be written from scratch, so you do not have to worry about its originality.

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Recycling

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Alcohol Orwell uses beer to represent the Old Russia. He first notes that the reason Jones lost control of the farm and began being cruel to the animals was because of alcohol. It symbolizes, more than anything, a corrupt government a government drunk on prosperity (a prosperity which never trickles down to the common animal). But its eventually this drunkenness which ruins and leads to the inevitable collapse of this system. Jones lost power over the animals when he became drunk and lazy; even Napoleon will eventually be overthrown because of the alcohol he intakes. Orwell alludes to this near the end of the book when he says that in generations to come there will be still more uprisings. Some day it was coming it might not be soon, it might not be within the lifetime of any animal now living, but still it was coming.

Alcohol was originally seen as a grave evil of the new regime.Old Major repeatedly warns the animals against taking on Mans ways, but his concerns are not heeded. Really it was the issue of alcohol that made many of the animals suspicious of the pigs. Thus, Napoleon had Squealer change the commandments.

Its interesting that even today many of the Russian leaders have a drinking habit.

Environment Recycling In many areas of the world an abundance of recycle materials are being dumped into landfills and burned in incinerators. In spite of growing use for these materials with recycled content, this remains the largest waste problem for most communities. Here in the valley we can make a difference by recycling paper, plastic and water. Most types of paper can be recycled in different ways. Having a program to recycle at home and work can also be helpful. One way to recycle is saving your newspapers and dropping them off at recycling bins, this will prevent landfiEnvironment Recycling In many areas of the world an abundance of recycle materials are being dumped into landfills and burned in incinerators. In spite of growing use for these materials with recycled content, this remains the largest waste problem for most communities. Here in the valley we can make a difference by recycling paper, plastic and water. Most types of paper can be recycled in different ways. Having a program to recycle at home and work can also be helpful. One way to recycle is saving your newspapers and dropping them off at recycling bins, this will prevent landfills from getting full.lls from getting full.Environment Recycling In many areas of the world an abundance of recycle materials are being dumped into landfills and burned in incinerators. In spite of growing use for these materials with recycled content, this remains the largest waste problem for most communities. Here in the valley we can make a difference by recycling paper, plastic and water. Most types of paper can be recycled in different ways. Having a program to recycle at home and work can also be helpful. One way to recycle is saving your newspapers and dropping them off at recycling bins, this will prevent landfills from getting full.

Write my Essay on recycling

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Changing Representation Of Sexuality And Gender In Regards To The Haunting(1963) and The Haunting(1999)

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The Haunting Sexuality & Gender

The two versions of 'The Haunting' are both different and each signals the values of contemporary society (or what was contemporary at the time of release).

Robert Wise's 16 version of the film, 'The Haunting', showed a different representation of women than in Jan DeBont's 1 remake. This is due to the changing attitudes towards sexuality and gender of contemporary society.

In Wise's version, the main character, 'Eleanor' or 'Nell' (Julie Harris), is very frail and is shown as a believably naïve and emotional spinster. Whereas, in contemporary society, it would not be acceptable to portray a woman in this way. So, Jan DeBont had to change the character's personalities to adapt to the change in societal values. Hence, why the 1 version of the film shows 'Nell' (Lili Taylor) as a young, attractive and determined woman.

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However, the character of 'Theodora' in the 16 version (Claire Bloom) is shown as confident and wealthy. This could be Wise's attempt at showing that at the time values were changing and that women were starting to stand up against traditional principles. Also, from the extract I watched, it seemed as if 'Theo' was not exploited as a sex object. Also, I noticed subtle hints of homosexuality/lesbianism through her dialogue. For example, when 'Nell' and 'Theo' first meet, 'Theo' smiles at 'Nell' and says,

"we shall be like sisters"

as if implying a sexual tone to her voice. It seems in the 16 version Wise is trying to imply a change in sexual attitudes but keeping a low profile as not to offend the more traditional viewers of the film.

This is certainly not the case in DeBont's 1 remake, in which, when 'Theo' (Catherine Zeta-Jones) and 'Nell' first meet, 'Theo' immediately starts talking about both her boyfriend and girlfriend immediately showing us she is bi-sexual. This is because it is not a 'frowned against' issue in today's society; whereas, in 16 it would still be very much opposed against, although just starting to become more open.

The last of the characters in the extracts was 'Mrs Dudley'. When compared, these two characters from 16 and 1 are very much the same a dominant woman who seemingly knows about (and secretly fears) the house. The only differences I can seem to find is that the 16 character (Rosalie Crutchley) is not as important in setting the scene and also appears to have a nice side to her (which we can see when she smiles at 'Nell'). The 1 character (Marian Seldes) does not have this. She is much more the dominant character and is not fazed by 'Nell' or 'Theo'. This could possibly show the recent lack of respect for authority in modern society. We can see this when 'Theo' does not appear to be listening to 'Mrs Dudley' in the 1 remake.

The audience for the first version of the film in 16, I believe would have been mostly women. This is because of the two female leads dominating the movie. However, the 1 version seemed to attract both a large male and female audience. I think that this was because there was more put into the film for the male audience. For example, Catherine Zeta-Jones was exploited as a sex object in the 1 version; the special effects could also have influenced more of a male audience.

The changing values of society meant that when DeBont remade the original in 1 he had to not just make changes to the characters but the setting and props as well. Society does not get as scared as easily anymore. So when I looked at the sets I noticed that the original 'Hill House' was just a large, clean, house with low ceilings and teak furniture. This is not the type of setting that would put the chills up contemporary society. This is why the sets and props have changed in the 1 remake. The house is still a large mansion but its interior has carved faces and gargoyles scattered throughout the building. The fireplace, bedrooms and dining rooms are all huge and extravagant. Although 'Mrs Dudley' is a cleaner, the place is still dusty giving the contemporary audience a spooky feel.

There are assumptions made about the sexuality of the characters in both films and in both, 'Nell' comes under that issue. Although in the 16, we believe very slightly that 'Theo' may be homosexual (through her dialogue and facial expressions aimed at Nell), it's clearly the case in the 1 version (in which 'Theo' proudly announces her bi-sexuality). But the assumptions that are made come from 'Nell's' reactions to this. In the original 16 version, 'Nell' befriends 'Theo' on first sight without knowing anything about her. So in this version it is only very subtle. However, in this 1 version of the film, 'Nell' reacts differently as 'Theo' changes, 'Nell' turns away but watches her undressing in the mirrors reflection this could be hinting lesbianism. Also, what I notice was that when 'Theo' asked 'Nell' if she had a boyfriend, 'Nell' was straight-faced, but when asked if she had a girlfriend, 'Nell' smiles to herself before turning and replying 'No'. This again points toward 'Nell' being lesbian. The closeness of the friendship also signifies lesbianism as 'Nell' does seem interested in 'Theo' but not in any of the men (which we see as the movie progresses).

The narrative in the 16 version was mainly from 'Nell's' P.O.V. This was also emphasised by Wise's use of an interior monologue. Whereas in the modern version, we notice that it is more omniscient. We don't get the interior monologue although we do get 'Nell' talking out loud to herself (sort of an exterior monologue). I think this is because the majority of contemporary society prefers to know as much about what is going on all round rather than just from what is happening in one place (however there are exceptions).

Finally, the two extracts are different because of the change in sexuality and gender issues from 6 to 1. What was frowned upon in 16 is not as big an issue anymore. Society is more open to different attitudes and roles and this can be shown through film.

Please note that this sample paper on Changing Representation Of Sexuality And Gender In Regards To The Haunting(1963) and The Haunting(1999) is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Changing Representation Of Sexuality And Gender In Regards To The Haunting(1963) and The Haunting(1999), we are here to assist you. Your persuasive essay on Changing Representation Of Sexuality And Gender In Regards To The Haunting(1963) and The Haunting(1999) will be written from scratch, so you do not have to worry about its originality.

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What do some Muslims say about Islam

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1. Social Impact of Qur'an and Hadith and how can it change the society?

Islam is the only religion which actually provides a whole outline to spend life. The religion of Islam is superior to any other in that it guarantees happiness in mans life. For Muslims, Islam is a belief system with moral and practical laws that have their source in the Quran.

God, may He be exalted, says, Indeed this Quran guides to the path

which is clearer and straighter than any other [XVII ].

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He also says, We have revealed to you the book which clarifies every matter [XVI 8].

Islam teaches moral virtues and a general legal system governing all aspects of human behaviors. Quran provides a comprehensive program of activity for mans life. Any action undertaken by man, whether it be eating, sleeping or walking, occupies its own specific place and demands its own particular efforts. Yet an action is implemented according to an inherent law, the general concept of which is stored in mans perception and is recalled by motions associated with that action. This notion holds true whether or not one is obliged to undertake the action or whether or not the circumstances are favorable. By practicing Islam and the preaching of Qur'an we can develop an ideal society.

Every man, in respect of his own actions, is as the state in relation to its individual citizens, whose activity is controlled by specific laws, customs and behavior. Just as the active forces in a state are obliged to adapt their actions according to certain laws, so is the social activity of a community composed of the actions of each individual. If this were not the case, the different components of society would fall apart and be destroyed in anarchy in the shortest time imaginable.

If a society is religious, its government will reflect that religion; if it is secular, it will be regulated by a corresponding code of law. If a society is uncivilized and barbaric, a code of behavior imposed by a tyrant will appear; otherwise, the conflict of various belief-systems within such a society will produce lawlessness.

Thus man, as an individual element of society, has no option but to possess and pursue a goal. He is guided in the pursuit of his goal by the path which corresponds to it and by the rules which must necessarily accompany his program of activity. The Quran affirms this idea when it says that every man has a goal to which he is turning, so compete with each other in good action [II 148]. In the usage of the Quran, the word din is basically applied to a way, a pattern of living, and neither the believer nor the non-believer is without a path, be it prophetic or man-made.

God, may He be exalted, describes the enemy of the divine din (religion) as those who prevent others from the path of God and would have it crooked [VII 45].

This verse shows that the term Sabil Allah- the path of God - used in the verse refers to the din of fitrah - the inherent pattern of life intended by God for man. It also indicates that even those who do not believe in God implement His din, albeit in a deviated form; this deviation, which becomes their din, is also encompassed in Gods program.

. How Islamic society has changed from the past and what can be done to change the Society (Compare from past to present Islamic Society)

Many of the accepted Islamic religious and cultural traditions were established between the 7th and 10th centuries, during the classical period of Islamic history. However, Islamic culture continued to develop as Islam spread into new regions and mixed with diverse cultures. The 1th-century occupation of most Muslim lands by European colonial powers was a main turning point in Muslim history. The traditional Islamic systems of governance, social organization, and education were undermined by the colonial regimes. Nation-states with independent governments divided the Muslim community along new ethnic and political lines.

Today about 1 billion Muslims are spread over 40 predominantly Muslim countries and 5 continents, and their numbers are growing at a rate unmatched by that of any other religion in the world. Despite the political and ethnic diversity of Muslim countries, a core set of beliefs continues to provide the basis for a shared identity and affinity among Muslims. Yet the radically different political, economic, and cultural conditions under which contemporary Muslims live make it difficult to identify what constitutes standard Islamic practice in the modern world. Many contemporary Muslims draw on the historical legacy of Islam as they confront the challenges of modern life. Islam is a significant, growing, and dynamic presence in the world. Its modern expressions are as diverse as the world in which Muslims live.

There is no need to actually change the society as compare to the old Islamic society and present Islamic Society. The only step that must be taken is to preserve the Islamic values, and Islamic culture. If one practices Islam accordingly, no matter if he takes everything extremely or casually, he/she would be able to live a perfect life in regards to Islam. Muslims should be more co-operative with each other and they should be more conservative (when it comes to Islamic teachings).

The belief in the unique nature of the Qur'an has led Muslims to devote great intellectual energies to the study of its contents and form. In addition to interpreting the scripture and deriving doctrines and laws from it, many disciplines within Qur'anic studies seek to understand its linguistic and literary qualities as an expression of its divine origins. If a Muslim wants to live with Islamic origins, then he/she should read Qur'an. It seems that God in this holy book is talking to the reader, only if the reader concentrates.

. Brotherhood

The importance of brotherhood in Islam can not be over stressed. There are many hadiths relating to the fact the Muslims are a single united body, each part responsible for the other. Accordingly if one of the parts is injured or hurt then the rest of the body immediately feels that pain and is certainly uncomfortable at the situation until it is rectified without delay. The brotherhood of Muslims is a very deep and wide concept that guarantees the safety and well being of the Society at large. Islam being a complete way of life is primarily for the society, it promotes a healthy and a well disciplined life style in every sense of the word.

Brotherhood is synonynous with Islam. It is a force for good, a purveyor of peace and justice for everyone. It provides stablility in a quarrelsome world. To the downtrodden and oppressed everywhere in the past, it provided freedom. When it was powerful, it even saved the Jews and Christians in Palestine and Spain from each other.

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THE SHORT HAPPY LIFE OF FRANCIS MACOMBER.

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Overcoming Fear

Ernest Hemingway wrote this story to leave an unsure feeling inside his readers. In the story, Francis Macomber was shot and killed by his wife, Margot. Many things in the story make the crime seem intentional, but the author does not reveal the truth.

Robert Wilson, the hunting leader, led Francis Macomber and his wife on an African safari. Hemingway describes Robert's eyes as "cold" and "flat", which indicates that he is not an emotional person. (Trudy Ring) This lack of emotion is one of the things that led to Margot's cheating on Francis with him. The two men, in my opinion, are completely different. Francis basically lets his wife run all over him, and does not have a firm control over her. Robert is a kind of man that has no sympathy for a person like Francis, who in the story thinks to himself "Well, why doesn't he keep his wife where she belongs? What does he think I am, a bloody plaster saint? Let him keep her where she belongs. It's his own fault." Also, Margot looks at Francis as a coward when compared to Robert because he had been afraid practically the whole time. When Francis learns of his wife cheating with Robert Wilson, he is outraged and filled with hate. Perhaps this makes him angry enough to overcome his cowardliness. Later on, he redeems himself by shooting three buffaloes with Wilson, one by himself. Margot was probably sort of shocked finding this out, and knows her husband is no longer who he used to be. He is a real man with no fear. This might have made her afraid, because even though she had taken a liking for Wilson, she most likely loved her husband for who he had always been, and was not ready for him to change. As they went to see the first buffalo that had been shot, they all expected it to be dead, making it's charge at Francis startling. No one had much time to react, and desperate to save her husbands life, Margot shot towards the buffalo as it approached Francis, but missed and killed him instead.

She seemed deeply effected by his death, showing that she really was concerned with his well being. I think his death was an accident. She may have really loved him, or just realized that the person that gave her everything was now gone. She may not have ever loved him, but cried simply knowing she had just killed a human being. Did Margot Macomber intentionally kill her husband? Was she afraid of her husband overcoming fear? Why did she cry hysterically realizing he was dead, if she had treated him the way she did? There are many suggestions to answer questions like these, but the truth will always be unclear, as Hemingway desired.

Ring, TrudyAn overview of The Short Happy Life of Francis Macomber, in Short Stories for Students, Gale Research, 17. Reproduced in Literature Resource Center.

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Corruption of religious leaders during the Age of Faith - Canterbury Tales

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The calamitous fourteenth century was a time of death and destruction due to famine, plague, peasant revolts, and the Hundred Years War. During this time, people looked to the church for comfort, leadership, and guidance. The church reached the height of its power, but could not provide the leadership needed because the religious leaders had become too concerned with secular affairs. Indulgences and bogus relics were being sold to supposedly raise money for the church, but the corrupt religious leaders pocketed the money. A prominent theme in Geoffrey Chaucer's The Canterbury Tales, which is a collection of short stories, is appearance versus reality. He satirizes the corruption within the church and its religious leaders the prioress, the summoner, and the pardoner, all of whom had to take three vows poverty, chastity, and obedience.

Based on Chaucer's description of a nun, he obviously believed that nuns of his day were corrupt, and that they broke the vows of poverty, chastity, and obedience. A prioress is a nun ranking next below the head nun in an abbey. She was known as "Madam Eglantyne" which means "Lady Sweetbriar". The word "sweetbriar" is a contradictory word. This also indirectly shows that she wanted to be more of a lady of court rather than a lady of God. Chaucer's nun did not appear to uphold the vow of poverty, for she wore a fine cloak and had fine jewelry. She seemed to be very materialistic, as she had to look perfect with her fine jewelry and "handsome cloak". In addition, "She was indeed by no means undergrown"; Chaucer implies here that she had plenty of money for food, and ate a lot. Chaucer does not directly say that she broke the vow of chastity, but implies it in his description of her golden broach and her desire to be a lady of the world, rather than a lady of God. Inscribed on her golden broach were the words "Amor vincit omnia", Latin for "love conquers all", implying that she had a lover. In addition, Chaucer says that she was "straining to counterfeit a courtly kind of grace." This implies that she would go to the greatest measures possible and break any vows taken to be a lady of the court. Also, Chaucer's description of her soft, red mouth made her seem very voluptuous and coveted by men. The third vow, obedience, cannot be fulfilled if the vows of poverty and chastity are broken. To be obedient to God is to follow his example and live by the rules and laws of the Bible. In addition, the prioress is very envious and covetous of the ladies of the court and covetous of their lives. In the Bible, it states that one should not be envious or covetous of one's neighbor. Chaucer states that she was "straining to counterfeit a courtly kind of grace," implying that she would go to the greatest measures possible and break any vows taken to be a lady of the court and desirable to men.

Based on Chaucer's description of a friar, he obviously believed that friars of his day were corrupt, and that they broke the vows of poverty, chastity, and obedience. The friar was a limiter a begging friar who was limited to a certain district in which he could beg. His name was Hubert, which is Latin for "hubris", which means pride; this implies that he was very prideful. Chaucer's friar did not appear to uphold the vow of poverty since he was not supposed to own anything except the clothes on his back, yet he owned a horse and wore a semi-cope, which was a cape of woolen fabric which was rather luxurious. He dressed nicely and rode on a horse to impress the young ladies. The friar did not stay true the vow of chastity either as he kept his hood stuffed with pins for hair and pocketknives to give to young, pretty girls to seduce them. In addition, "He knew the taverns well in every town, and every innkeeper and barmaid too, better than the lepers, beggars and that crew." Chaucer's friar was a very corrupt, immoral person who broke the vows of chastity and poverty, leading him to break the vow of obedience. Also, he was very prideful and put himself on a pedestal above the "wretched lepers" and "slum-and-gutter dwellers". He would only associate himself with the "rich and victual-sellers" so he could get them to pay money to the church (which he would pocket for himself).

Based on Chaucer's description of a pardoner, he obviously believed that pardoners of his day were corrupt, and that they broke the vows of poverty, chastity, and obedience. A pardoner is a church official that pardons people for their sins and sells indulgences and relics. Chaucer says that he "aimed at riding in the latest mode", which implies that he was very worldly instead of Godly, and that he also cared too much about his image, instead of the image of God. Chaucer's pardoner did not appear to uphold the vow of poverty since he sold bogus relics and indulgences for outrageous amounts of money. In Chaucer's description of the pardoner, he shows just how corrupt this pardoner is with this statement "His wallet lay before him on his lap, brimful of pardons come from Rome all hot." In addition, he rode on a horse, and horses are very expensive. This pardoner was gay with Chaucer's summoner, which rules out the possibility of fulfillment of the vow of chastity. The Bible speaks out about homosexuals. Since we know that Chaucer believed this pardoner to be very corrupt, we have reason to believe that if he would cheat people out of their money, he would cheat on his partner, the summoner. Being so corrupt, Chaucer's pardoner had no hope of fulfilling the vow of obedience. He first broke the vows of poverty and chastity, along with cheating people out of their money, and possibly on the summoner.

Cheap Custom Essays on Corruption of religious leaders during the Age of Faith - Canterbury Tales

In Chaucer's The Canterbury Tales, one can see that he was very correct and honest with his descriptions of the corruption found within religious figures in during the fourteenth century. He described the various religious figures as being the dirty, deceitful, corrupt, and immoral. One can also see that there were different levels of corruption ranging from the prioress to the pardoner. Whether it is the prioress, who ate a little too much, or the friar who dressed nicely and gave presents to seduce young women, or the pardoner who talked people into feeling that they needed to buy an indulgence or they would go to hell, one sees that Chaucer believed that all of the religious figures of the day were corrupt in some little way.

Please note that this sample paper on Corruption of religious leaders during the Age of Faith - Canterbury Tales is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Corruption of religious leaders during the Age of Faith - Canterbury Tales, we are here to assist you. Your cheap custom research papers on Corruption of religious leaders during the Age of Faith - Canterbury Tales will be written from scratch, so you do not have to worry about its originality.

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