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Alice Munro's, Lives of Girls and Women, Robert Leunig's Sitting on the Fence and related texts; The Insider by Michael Mann and Cock Crow by Rosemary Dobson provided a new insight into the definition and meaning of choice that individuals possess. Each composer highlighted the meaning of choice from their personalized perspectives, however, they all agreed to the core belief that "we must make the ultimate decisions for ourselves" and there are consequences if we do as expected.
In 'Lives of Girls and Women', Munro deals with many issues of choice. Munro emphasizes the importance of choices by focusing each chapter on a choice Del must make. Each chapter begins with a meandering introduction, which creates the framework to Del's anecdote, finally leading to the revealing of an epiphany. By following this structure, Del makes important choices during the text concerning her future, her expression of her gender and her attitude towards sex.
With each of these choices she can either reach her potential or be bogged down. Munro uses the motif of water to show this. "We spent days along the Wawanash River", she used this as the opening line for the text. It becomes a significant symbol to show the drowning of potential of the characters, especially Del. Munro carries this throughout the text to underline the fact that we must make our own decisions, or else, we too will be drowned. This allows responders to focus their attention to how important Del's choices are.
Munro deliberately does not allow the characters around Del to develop and by juxtaposing these unfilled characters with Del, emphasizes the consequences of just conforming to society's expectations. Miss Farris was talented and had a lot going for her, but was drowned in the Wawanash River. Munro uses the motif of water once again to symbolise the washing away of potential. Also, Fern Dogherty had a fabulous voice, despite this, nothing becomes of it. "Fern's style of singing, though admired, was regarded as a hair's breadth from showing off". Munro uses an ironic tone in this statement to reveal Jubilee's mediocrity and also the lack of development of prospective.
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Ada, Del's mother, and Garnet, Del's boyfriend, play a huge role in the development of Del's character. Munro makes these extreme characters influential parts of Del's life and contrasts them to stress the important choice of whether to conform or not. Ada's character rejects her feminine side as she believes it as a disadvantage and relies highly on facts. "What is a person? A large percent of water. Just plain water. Nothing in a person is that remarkable. Carbon. The simplest elements. That's all. It's the way it's put together that's remarkable. We have the heart and lungs. Pancreas. Stomach. Brain. All these things, what are they? Combination of elements." This is proof of the way that Ada thinks is very factual and unemotional. By creating a character like this as a role model to the narrator, responder's are able to see that it isn't necessary to follow in footsteps, rather do what you want because only we can make decisions for ourselves. Del has many opportunities to follow her mother's views, however, Del makes a serious decision when she comes to the epiphany at the end of the chapter, Lives of Girls and Women, and decides to live like a man. "I would have to resist anything she told me with such earnestness. The advice handed out to women, to girls, advice that assumed being female made you damageable, that a certain amount of carefulness and solemn self- protection were called for, whereas men were supposed to be able to go out and take on all kinds of experiences and shuck off what they didn't want and come back proud. Without even thinking about it, I had decided to do the same". This doesn't mean that Del closed off her feminine side totally, instead she opened a new path where she accepted and adapted to both worlds and ultimately decided how she would view the world and herself included.
Garnet presented Del with many choices. He influenced Del in different ways and made alters and bends in her road. 'He took me to see his family. It was a Sunday afternoon. The examinations began on Monday. I said I had to study, and he said, "You can't do that. Momma has already killed two chickens."' Although it seems that she was forced, only Del could have made the final decision and she ultimately chose to sacrifice her education for Garnet, and as a result loses the scholarship. She allows herself to succumb to Garnet's manner time and time again. 'I had to mention it to somebody. "I saw a cat yesterday tearing a bird apart. It was a big striped tom. I don't know where it came from."' This is how Del describes when she had lost her virginity to her mother. Munro uses imagery to convey the helplessness of the situation. Though, finally, when Garnet again tries to take control of another aspect of Del's life she is presented with another choice in her life. He tries to force her into becoming a Baptist. "You have to get Baptized… say you'll get baptized or I'll baptize you anyway". Munro once again uses the motif of water, but more actively when he physically dumps her underneath the surface to highlight the heaviness of the situation and the alternate consequence. By being forced into a religion instead of freely being able to decide Munro allows Del to come to an epiphany "I felt amazement, that anybody could have made such a mistake, to think they had real power over me." This made Del realize that she was the only one who could decide what she really wanted for herself, and nobody, not even the love in her life, could take that little control she had left. Not only does this represent the religious aspect, but also Munro uses this to symbolize the total surrendering of herself into his lifestyle.
Through the motif of water, symbolism, contrasts, and juxtaposition Munro makes it possible to identify Del's choices and her final decisions she makes for herself.
Michael Leunig's Sitting on the Fence presents an aspect of choice. It shows the difficultness of making decision and indecisive nature we can get ourselves into. Leunig divides the one character into two to show this.
"Come sit down beside me
I said to myself"
Although Leunig shows this from his perspective, it exerts the fact that we can not sit on the fence forever but must eventually come to a decision and get ourselves off the fence. Leunig uses the fence as a symbol to signify the divergent roads available.
Leunig made the last word of each stanza, 'sense' and 'fence', rhyme to give the sense of completion at the end. He also placed these two words on its own to show the single decision the character must ultimately make.
Black and white are the only two colours used which represents the two choices and contrasts these colours to show the eventual simple nature of it all.
[What else can I discuss?]
'The Insider' by Michael Mann presents choices in a different manner. This movie uses different techniques to the other texts and is more obvious to detect. Russell Crowe's character, Jack, as an insider to a cigarette company, must decide whether he will reveal their secrets and breach the confidentiality agreement by doing so or not.
The choice is easily seen and known that only he himself can make the decision when Robert DeNiro's character tells Jack "It's up to you. No one can make the decision but you." Mann shoots this scene in a car to show the urgency and rush of the situation. When the weight of the choice is on him and he must ultimately make the choice, Mann shows the scenery of water behind him to denote the calmness on the surface but underneath the unknown is lurking and there are consequences we are not sure of. Like Munro, Mann uses the motif of water, but in a different context. Mann deliberately makes the music fast and upbeat to show the importance and pressure of the situation and create an atmosphere full of tension.
When Jack decides to reveal the secrets and follows them through, he is returned to the previous scene, but this time the water is unsettled and rough. Mann has done this symbolize what will happen in his life. The dark underneath has up risen and ripples of troubles will start a trend. The music now is slow and sorrowful. It shows the character reflecting in the choice just made. This music is carried through to the next scene where he is in his hotel room, the music keeps building with tension with each passing moment and finally, at the climax, the camera is zoomed into a window. Here we are presented with yet another choice. Mann purposely allows the responders to feel the pressure on his shoulders and his world shattering around him. The water droplets on the window begin to fall and run together like sweat to show the heaviness of the situation. As this happens, Man zooms out and blends the background into a happy memory he once had. This makes the option of suicide tempting and alluring. Mann consciously places the correct music throughout each scene to conjure the emotions he is looking for from the responders.
Each decision that Jack must make during the movie is helped and influenced but is always only ultimately up to him. Mann reveals this by using various camera techniques, music to arouse certain emotions and the motif of water, as like Munro. Each scene is carefully positioned to create certain atmospheres and lines of each character are straight forward.
Like Leunig's 'Sitting on the Fence', 'Cock Crow' by Rosemary Dobson, presents the indecisiveness and conflicts of making a choice. Through writing in first person, responders are able to feel the immediacy and personal sense of the poem. "Between the lit house and the town" This introduces the symbolic nature of her conflict. The bridge is also used to convey this.
Dobson uses certain images to illustrate her struggle to come to her final decision. "The dark trees closed me round" and "Only my footsteps held the ground" are two images that reveal her conflict preventing her from going on. Furthermore, this image reveals the contrast of her physically and emotionally.
"Their needs in shutting-to the door", the repetition of 't' sound gives off a harsh impression hence Dobson uses this assonance to emphasise the denying of her own needs.
Dobson presents her anxiety of making the final choice through the line, "And walking up and down the road". Nevertheless, through the breaking of the rhythm pattern in the next line, "Knew myself, separate and alone", responders are able to deduce that it's finally the crisis point and she must finally make the decision.
Moreover, Dobson deliberately makes the rhythm pattern not fully complete giving a sense of unfulfillment once the poem is over.
Finally, Dobson applies the biblical allusion of Cock Crow to display the betrayal of her own needs for her responsibilities.
Despite what she really wants and her personal conflicts, it can be seen that she ultimately decides to choose her family and responsibilities over her personal aspirations.
Therefore, through studying Munro's Lives of Girls and Women, Leunig's Sitting on the Fence, Mann's The Insider and Dobson's Cock Crow, it can be seen through influences, conflicts and much difficultness, we ultimately make decisions for ourselves. Each composer showed this by using various techniques such as, contrasts, juxtaposition, motifs, certain images, biblical allusions and creating the accurate atmosphere. These texts have broadened my outlook on choice and I have finally concluded that whatever my decision, only I, no one else, can make it.
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