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One of his early actos, Los Vendidos, has been adopted for a television special. His Teatro has also made a film based on I am Joaquin, the epic poem by Rodolfo Corky Gonzales.
Among his many dramatic works are Actos, Bernab , The Shrunken Head of Pancho Villa, and numerous others. He is author of several theatrical reviews and literary articles. For the last two years he has conducted theatre workshops for teatro groups from all over the United States and Latin America.
Los Vendidos dramatizes the tactics and acts of intimidation that grape growers and farmers employed on Chicano grape pickers during the huelgas in Delano, California. It is a play that displays the dramatists knowledge and training of classical and contemporary theatre. To convey his message of social injustice against the Chicano laborer, Valdez makes effective use of theatrical techniques used in the Greek mime and contemporary agitprop theatres. Also quite obvious in this play is the abundance of Chicano music, dance, and language, ingredients so prevalent in the Spanish theatre of genero chico. Combined together, these ingredients make Los Vendidos one of the best Chicano plays ever to depict the Chicano struggle for survival in a rural society.
Summary Chicano stereotypes are skewered in this acerbic viƱeta (skit) performed by members of El Teatro Campesino, the farmworkers theater of the universe. The sketch is framed by sequences in which the actors, drawing on history, myth and contemporary realities, offer an overview of their improvisational work. Los Vendidos (The Sellouts) is set in the showroom of Honest Sancho, a salesman intent on satisfying the urgent need of Mrs. Jimenez, an assimilated Chicana, to place a token Chicano in the governors administration. Sancho proudly directs his customer to the stores fine collection of used Mexicans the lethargic peon, the migrant family farm laborer special, an urban streamlined low-riding survival model, and a 144 East L.A. zoot suiter. Unimpressed, Mrs. Jimenez demands something more traditional, and is delighted when Sancho emerges from the storeroom with Eric, a 17 Mexican-American, acculturated, bilingual and with the perfect skin tone. In the skits subversive conclusion, the stereotypes discard their socially manufactured guises and confiscate the money earned by their salesman. Relegating Sancho (a robot) to the storeroom for repairs, they pointedly ask, Who will be the next Mexican American?
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