If you order your research paper from our custom writing service you will receive a perfectly written assignment on Edgar Allen Poe. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Edgar Allen Poe paper right on time.
Out staff of freelance writers includes over 120 experts proficient in Edgar Allen Poe, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Edgar Allen Poe paper at affordable prices !
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
Write my Essay on Edgar Allen Poe
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
10. Poe was found unconscious in Baltimore, where he died soon after.
His mother died at his birth, and his father, a dissipated and violent-tempered man, paid little attention to the sons training, and finally deserted him. The latter developed a passion for reading, with a special fondness for Plutarchs Lives. Apprenticed first to a notary and then to a coppersmith, he ran away (178) to escape the rigid discipline, and, after wandering for several days, he fell in with Roman Catholic priests at Consignon in Savoy, who turned him over to Madame de Warens at Annecy, and she sent him to an educational institution at Turin. Here he duly abjured Protestantism, and next served in various households, in one of which he was charged with theft. After more wanderings he was at Chambery (170), from which Madame de Warens had removed. In her household he spent eight years diverting himself in the enjoyment of nature, the study of music, the reading of the English, German, and French philosophers and chemistry, pursuing the study of mathematics and Latin, and enjoying the playhouse and opera. He next spent eighteen months at Venice as secretary of the French ambassador, Comte de Montaignu (1744-45). Up to this time, when he was thirty-nine, his life, the details of which he publishes in his Confessions (Geneva, 178), may be described as subterranean. He now returned to Paris, where his opera Les Muses galantes failed, copied music, and was secretary of Madame Dupin. Here he came into association with Diderot, Grimm, DAlembert, Holbach, and Madame dEpinay, and was admitted as a contributor to the Encyclopedie; and his gifts of entertainment, reckless manner, and boundless vanity attracted attention. With the Discours sur les sciences et les arts (Paris, 1750), a prize essay in which he set forth the paradox of the superiority of the savage state, he proclaimed his gospel of back to nature. His operetta Devin du village (175) met with great success. His second sensational writing appeared Discours sur lorigine et les fondements de lin galit parmi les hommes (175), against the inequalities of society. His fame was then assured. In 1754 he revisited Geneva, was received with great acclamation, and called himself henceforth citizen of Geneva. In 1756, upon invitation of Madame dEpinay, he retired to a cottage (afterward The Hermitage ) in the woods of Montmorency, where in the quiet of nature he expected to spend his life; but domestic troubles, his violent passion for Countess dHoudetot, and Ms morbid mistrust and nervous excitability, which lost him his friends, induced him to change his residence to a chateau in the park of the duke of Luxembourg, Montmorency (1758-6). His famous works appeared during this period Lettre à dAlembert (Amsterdam, 1758); Julie ou la nouvelle Heloise (1761); Du Contrat social (Amsterdam, 176); and Emile ou de 1education (Amsterdam, 176). The last-named work was ordered to be burned by the French parliament and his arrest was ordered; but he fled to Neuchatel, then within the jurisdiction of Prussia. Here he wrote his Lettres ecrites de la Montagne (Amsterdam, 176), in which, with reference to the Geneva constitution, he advocated the freedom of religion against the Church and police. Driven thence by peasant attacks (Sept., 1765), he returned to the Isle St. Pierre in the Lake of Bienne. The government of Berne ordered him out of its territory, and he accepted the asylum offered to him by David Hume in England (Jan., 1766). But his morbid misanthropy, now goaded to an insane sense of being persecuted, made him suspicious of plots, and led him to quarrel with his friends for not making his opponents their own enemies, and he fled to France (1767). After wandering about and depending on friends he was permitted to return to Paris (1770), where he finished the Confessions begun in England, and produced many of his best stories. Here he copied notes, and studied music and botany. His dread of secret enemies grew upon his imagination, until he was glad to accept an invitation to retire to Ermenonville (1778), where his death came suddenly.
Please note that this sample paper on Edgar Allen Poe is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Edgar Allen Poe, we are here to assist you. Your essay on Edgar Allen Poe will be written from scratch, so you do not have to worry about its originality.
Order your authentic assignment from and you will be amazed at how easy it is to complete a quality custom paper within the shortest time possible!
No comments:
Post a Comment