In what ways do Hamlet's Soliloquy's reveal aspects of plot and Character?

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In what ways do Hamlet's Soliloquy's reveal aspects of plot and Character?

In Hamlet, Shakespeare uses the dramatic device of soliloquy to reveal aspects of plot and Hamlet's character. This soliloquy's play an important part in the play. It is the first of Hamlets soliloquy's which tells us what the play is to be about. We learn about the state of Denmark and of Hamlets melancholy state. We understand how this is due to the marriage of Hamlet's mother to his uncle very suddenly after the death of his father. Hamlet's relationship with his mother is made clear. It is revealed that Hamlet is extremely angry with his mother, he feels she did mourn long enough and is disgraced by her. He feels she rushed to marry again, this is shown when Hamlet says " A little month or e're those shoes were old with which she followed my poor father's body". The first soliloquy is also used to give us clues as to the nature of the play. The ominous line of

"It is not, nor can it come to any good"

gives us insight into the tragedy ahead.

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The soliloquy's also reveal great detail about the plot of the play Hamlet. We learn how Hamlet's Uncle Claudius murdered his father and also how Hamlet is so angry with his Uncle and is in despair about what to do. He does not want his Uncle to get away with the murder of his father and seeks revenge. Hamlet in a rage calls his Uncle a villain, a "Remorseless, treacherous, lecherous, kindles villain!" Hamlet's plans for revenge are then revealed in these soliloquy's, he says "O' Vengeance!" Hamlet feels he must take revenge for his father, he feels he has been prompted by "heaven and hell" because it was his father's ghost who revealed that it was Claudius who murdered him and needed to be punished. This is therefore why he must seek his revenge. Hamlet decides he will trick his Uncle into revealing his guilt before he approaches him over the murder. Hamlet's soliloquy reveals how he plans to have a play shown that is similar to the murder of his father. From this he will know that it was his father ghost who visited him and not the devil. He believes that by "observing his looks" he will know the truth "I will know my course".. He ends by saying

"the play's the thing where in I'll catch the conscience of thine king"

When Hamlet holds the play, everything goes to plan, Claudius reacts as expected and runs from his chair in despair. This is the proof hamlet wanted.

The purpose of Hamlet's next soliloquy's is to reveal Hamlet's plan for his revenge. Hamlet overhears Claudius at prayer, confessing to his brothers murder. Hamlet has the chance to kill him but does not. Hamlet reasons with himself and decides that to kill him there and then "would be justice" when he actually craves revenge. Hamlet worries because of the way his father was murdered, unprepared for death, that he may not be at rest, he expresses these sentiments in the line "tis heavy with him" . He decides to avenge his father he could not kill Claudius whilst praying as he could be accepted in heaven. He wants Claudius to do to hell and says "soul may be a damned and black as hell, where to it goes" so from Hamlet's soliloquy's plot is revealed and we learn of his plans to kill Claudius in a way

"that hath no relish or salvation".

The soliloquy's also give a real understanding to the character of Hamlet. They reveal to us why Hamlet pondered so mush on how to take his revenge, give us insight into his thoughts and feelings and let us see how he was not as mad as he appeared to others, and how he really worried about taking his revenge and whether it was right or wrong. The first soliloquy in Hamlet opens the character of Hamlet, it gives us insight into his depression and anger. Hamlet still mourns his father and is upset about the unpleasantness in the world. It is revealed he is considering suicide, the is revealed the line

"O' that this too too sullied flesh would melt"

Hamlet is so depressed he is wishing he was dead.

In the second soliloquy of Hamlet, again aspects of Hamlet's character are revealed. Here, Hamlet is in a rage, trying to work out how or if he should take revenge. In order to work out his plan, Hamlet works himself into a rage, he reproaches himself and displays his loathing of his Uncle Claudius. To work hi,mself up he asks himself many questions "Am I a coward?" " Who calls me a villain?" "Who does me this?" Therfore this soliloquy shows Hamlet's indecisive side, he is no murderer, but wants his revenge, so works himself into a madness. This soliloquy though also reveals his ability to love. We see how Hamlet feels towards his father. We learn how he promises no matter what happens to him or the world he could not forget his father or his memories of them together. He reveals this in the lines

"And thy commandment all alone shall live within the books and volume of my brain"

In the third soliloquy of the play Hamlet, Hamlet's intelligent and curios side is revealed. Hamlet appears to think very deeply. He worries whether death is "the end" or whether after death we are troubled by dreams, he expresses this in the line "To sleep, perchance to dream" . Hamlet is in the grip of melancholy and considers suicide he asks "to be or not to be"

All these soliloquy's reveal to us about Hamlet's character. Hamlet is not a murderer but a melancholic pensive, intelligent man who questions life yet fells he must take revenge for the death of his father even though he knows it is not the right thing to do.

In conclusion it is Hamlet's soliloquy's can help us understand the turns of the plot and make us see Hamlet's character in real depth. We see him as a confused man seeking revenge for father's murder. He has a consciene though and worries about the afterlife.. They help us understand why Hamlet hesitates so much in seeking his revenge. Therefore the soliloquy's are extremely important to the play as give a deep understanding into Hamlet's true nature.

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Biography of John Dickinson

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John Dickinson

John Dickinson was born on November 1, 17 in Maryland to Samuel and Mary Dickinson. At the age of eight, he moved to Delaware where he was privately educated. In 1750 he moved to Philadelphia in order to study law. After passing the Bar exam, he became a prominent lawyer in Philadelphia in 1757.

In 175 until 1760 Dickinson served at the Assembly of the Lower Three counties, representing Delaware. He gained a seat in the Pennsylvania Legislature as a Philadelphia delegate in 176. He attended The Stamp Act Congress of 1765 and was the author of the resolutions agreed to in the congress (Bradford 100).

Dickinson wrote The Late Regulations Respecting the British Colonies on the Continent of America Considered, which told people to repeal The Stamp Act. He wrote newspaper articles in the Pennsylvania Chronicle, which collectively became known, as his famous Letters from a Farmer in Pennsylvania. These letters informed the people of Britain's taxation policy and their unjust laws. They urged resistance, but emphasized the possibility of a peaceful resolution. These Letters were so popular that he received an honorary LL.D. from the College of New Jersey and public thanks from a meeting in Boston (Pickett). In 1770 Dickinson married Mary Norris and bore two daughters. In 1771, Dickinson returned to the Pennsylvania legislature and drafted a petition to the king, which was unanimously approved. He chaired the Philadelphia Committee of Correspondence and attended the First Continental Congress. In Continental Congress he was named one of the "cool devils" that tried to stall independence as much as possible (Bowen 58).

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Dickinson was the author of the Declaration and Resolves of the Continental Congress, and the "Song of the Farmer"- the Revolution anthem. In 1775 he served in the Second Continental Congress as a representative from Pennsylvania and wrote the Declaration of the Causes of Taking up Arms (Bradford 100). In July 1776, Dickinson voted against The Declaration of Independence. He believed that his countrymen were not yet ready for a complete separation from England and there could still be a possibility of a compromise. Thus, he did not sign the document.

Dickinson joined the military and was given the rank of Brigadier General, which was a big honor. When he was not reelected this rank, he resigned from the military and went to his home, "Popular Hall". In 177 he was sent to the Continental Congress as a delegate from Delaware. He wrote and signed the Articles of Confederation. Shortly afterwards, he returned to his home because of tragic problems with "Popular Hall." On November 6, 1781, Dickinson was elected President of Delaware (Pickett). One year later, he moved to Philadelphia and became president from 178 until 1785. The following year, Dickinson attended the Annapolis Convention representing Delaware (odur.let.rug). In 1787, he was sent by Delaware to the Constitutional Convention where he was one of the strongest advocates for a national government.

Since Dickinson was coming from a small state, he was in favor of equal representation. He did not want the bigger states to overpower the smaller states. After all, "we are a nation! We are a nation although consisting of parts or states" (Bowen 41). He declared that the

government be like that of the solar system. Let the general government be like the sun and the states like the planets, repelled yet attracted, and the whole moving regularly and harmoniously in their several orbits. [Or] Thirteen small streams, pursuing one course (Bowen 7).

Dickinson believed that the senate should be chosen by the state legislatures and not from the common people. This would "more intimately connect the state governments with the national legislature." The senate should have the most distinguished characteristics and have a strong likeness to the British House of Lords. It is more likely that the state legislatures will choose this type of person rather than the common people. The senate should be numerous in order to balance the popular branch (Van Doren 67).

Dickinson did not think that The Constitution should authorize the importation of slaves to the states. The men at the Convention could not abolish the importation all together, but they delayed the prohibition until 1808 (Bowen 04).

If he could, Dickinson would have made the government a limited monarchy. He thought it was the best type of government, but it was out of the question in America. He believed that the Legislative, Executive and Judiciary departments should be made as independent as possible. Each state should retain an equal voice in at least one branch of the national legislature (Van Doren 5).

Although Dickinson did not agree on all the forceful opinions of Madison and the other nationalists, he helped make the Great Compromise and wrote public letters supporting constitutional ratification.

Unfortunately, Dickinson had to leave early from the Convention because of illness. He appointed his colleague, George Read to sign his name in the Constitution. He wrote a series of essays titled The Letters of Fabius while the chairman of Delaware's constitutional convention in 171. The purpose of these letters was to produce a favorable feeling in the United States toward France, whose revolution he believed to be at an end. In 17, he was elected to the Delaware State Senate and served for two years. He decided not to serve any longer due to health reasons (Pickett).

Dickinson is referred to in history as the "Penman of the Revolution." He died at the age of seventy-five on February 14, 1808 at his home in Wilmington. He was a man of great moral courage, and stood for his beliefs. Many people have said that in the Constitutional Convention he did not live up to his infamous reputation.

BIBLIOGRAPHY

1.Bowen, Catherine Drinker. Miracle at Philadelphia. Boston Boston, Little, Brown, 166.

.Bradford, Melvin E. Founding Fathers. Kansas University Press of Kansas, 181.

.Bouman, Marianne. A Biography of John Dickinson (17-1808). 17. http//odur.let.rug.nl/~usa/B/jdickenson/johnd1.htm

4.Pickett, Russ. Delaware's Fifth Governor & Colonial Leader John Dickinson. http//www.state.de.us/facts/history/dicknbio.htm

5.Van Doren, Carl. The Great Rehearsal. Connecticut Greenwood Press Publishers, 148.

6.Vinci, John. John Dickinson. http//www.colonialhall.com/dickinson/dicksinson.asp.

7.A Biography of John Dickinson 17-1808.17. Department of Humanities Computing. http//odur.let.rug.nl/~usa/B/jdickenson/dickenso.htm.

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Crucible news

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A 40-year-old woman, later identified as Mrs. Ann Putnam, was rushed to the hospital today after neighbours found her unconscious in front of her house. Medical specialists later declared that she had suffered from mild suffocation. Upon regaining consciousness, Mrs Putman declared that before fainting she was desperately searching for the reason behind the deaths of her unborn babies.

This event forces many to believe that in the possibility that supernatural powers were used to kill the Putnam children as well as preventing their mother from finding their killer and avenging their deaths.

Reverend John Hale has been working with city police in a cooperative effort to find the source of this unholy act. So far they have arrested may women who are believed to be working with the devil, but none in connection with this case.

Sources tell us however that Mrs Rebecca Nurse is being investigated as a potential suspect, her motivation being her jealousy towards the Putnam family.

The first suspicions against Goody Nurse arose at an informal gathering at Reverend Parris' house, caused by his daughter's illness, at which time Goody Nurse was quick to refute all suspicions of witchcraft associated with Betty's illness.

In a press release Mrs Ann Putnam stated "The speed at which she brushed aside any possibility of witchcraft associated with my children's deaths was a sure sign of her quilt".

Furthermore, insiders inform us that Goody Nurse's affiliation with Mrs Putnam, as her midwife, is the crucial piece of evidence that could send her to death row.

However, others say that these tragic deaths are in no way a result of witchcraft, but are instead simply the will of God; something that must not be questioned or investigated.

Police say that potential protests in favour of Goody Nurse are to be expected due to her high standing in the town.

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Jack Roosevelt Robinson

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Jack Roosevelt Robinson, the grandson of a slave, was born on January 1, 11 in Cairo, Georgia. He was the youngest of five children. His father deserted the family when Jackie was only six months old. His mother moved the family to California to look for work. (Jackie Robinson,

001)

Jackie displayed extraordinary athletic skills in high school. He excelled at football, basketball, baseball and track. He helped Pasadena Junior College win the Junior College Football Championship and in 1 became a top running back at the University of California at Los Angeles. He left college before graduating and in 14 was drafted into the U.S. Army. He was discharged as a lieutenant in 145 and that same year joined

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the Kansas City Monarchs of the Negro Baseball League. (About Jackie, 00)

On October , 145, Robinson signed a contract with Brooklyn Dodger president, Branch Rickey. Many owners and sportswriters were against this integration, claiming that it would destroy major league baseball. Spring training in Florida was rough for Robinson due to segregation

laws. He was forced to ride in the back of buses, and some games in which he was scheduled to play were canceled due to his presence. He was subjected to threats, racial insults and hate mail. Fans would yell obscenities

at him from the stands. Pitchers often threw balls directly at him and base runners would spike him with their cleats.

Despite the adversity he faced, Robinson led the league in stolen bases and was named Rookie of the Year. In 147 he was name the National League's Most Valuable Player. He went on to play Major League Baseball until his retirement in 157 and in 16 he was inducted into the Baseball

Hall of Fame. (Tygiel, 18)

Jackie Robinson made significant strides in bringing racial equality to not only the sports arena, but to other areas as well. By breaking the color barrier in baseball, he courageously challenged racial segregation in both the

North and the South. Jackie Robinson is honored as the man who stood against racial inequality. His life has had a profound influence on the American culture.

African Americans are the largest U.S. ethnic minority group. The African American population has been growing at a faster rate than the total population. They have experienced a long history of struggle yet with the educational changes that have been made their future is brighter and more optimistic. They are receiving more opportunities in employment, education and housing which will allow for an improved standard of living.

And educators are better trained in diagnostic approaches and individualized education, which will better equip African Americans to succeed in every area of life. (Manning and Baruth, 000)

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Oh Yeah!

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Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE!

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Although every culture has its own distinct folklore and mythology, there are certain image patterns that seem to be universal. These image patterns, or archetypes, are closely related to both oral and written storytelling, and strike †'some very deep chord' in human nature (Guerin 158), eliciting a common response, whether conscious or subconscious, from the reader or listener. Archetypes appear time and time again in literature; their presence can determine whether or not a piece of writing is considered a classic. Charlotte Perkins Gilman's short story, †The Yellow Wallpaper, is a voyeuristic examination of the psyche of a woman suffering from †temporary nervous depression â€" a slight hysterical tendency (Gilman 1), who is driven to full-fledged hysteria after being trapped in a yellow-wallpaper-ed prison. Jungian Archetypal theory is an offshoot of psychological analysis, as Jung was one of Freud's students, and therefore the two theories are often closely linked in literary criticism. Archetypal analysis is appropriate for this psychological story because it includes aspects of Freud's theory while giving it a broader scope. †The Yellow Wallpaper contains several reversed or negative archetypes that appear as the narrator furthers her inverted ‘quest' to free her shadow, or her descent into insanity.

As archetypal analysis deals quite often with the conscious and subconscious mind, the two parts of the †Self (Jung ) figure greatly in this critical theory. In †The Yellow Wallpaper, the narrator is trapped in a prison-like room, and sees images in the wallpaper that come to look like a woman trapped behind bars. This †creeping woman is, in Jungian terms, the narrator's shadow,

or a dissociation of her Self. Shadows and dissociations often contain the darker, more aggressive or sexually liberated aspects of the person's psyche (Jung 7) in this instance a sort of freedom of thought as well as escapism. The trapped woman can get out in the daytime, creeping around the garden or †away off in the open country, creeping as fast as a cloud shadow in a high wind (Gilman, 1). The narrator, on the other hand, can only creep behind the locked doors of her prison, when she is completely alone.

The shadow could also be the woman's animus- †the male personification of the unconscious within a woman (Jung 18). Even though she is female, the shadow is more aggressive than the passive, nervous narrator, embodying what are traditionally considered more ‘masculine' traits. And while the animus does not quite represent the Jungian †demon of death (Jung 1), in this story, it does, in a way, herald the death of the narrator's sanity. Just as the woman behind the paper serves as a manifestation of the struggle between the two forces of the narrator's Self, her contradictory monologues and the swings in her mental state as shown through her journal entries are a written expression of her internal conflict that eventually leads to her losing her mind.

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These two forces of the narrator's Self come together in a very symbolic scene, where the two women meet at the bars and work together to get †the poor thing out (Gilman 1). From then on the narrator says †I and not †she, having completely identified with her woman behind the wallpaper, and declined into complete madness. With this, Gilman suggests that a person can release the

dark recesses of his or her psyche and combine the different aspects of the self, but not retain stability, as an imbalance is created.

One of the most important and commonly seen Jungian Archetypes is the Hero archetype of transformation or redemption, who comes in three stages Quest, Initiation and Sacrifice (Guerin 167). The narrator in Gilman's story falls into the latter Hero archetype (transformation), going through her own personal quest, initiation and sacrifice, although not as a scapegoat or atonement. Her

quest is inverted, more of a descent, really, as she spends the summer in the room with the hideous yellow wallpaper and becomes increasingly ill despite her physician husband John's protestations of †Really dear you are better (Gilman ). At first the narrator finds the paper †repellent, almost revolting; a smouldering unclean yellow (Gilman ), but gradually feels that she is the only one who can understand it and not be affected by it. Her quest changes as she sees the image of a trapped woman in the paper, and she devotes her attentions to getting this woman out, eventually realizing that she herself is trapped. Her impossible initiation tasks are not epic or mythological in the conventional literary sense, but her internal struggle is no small feat. The sacrifice at the end is of her mind. She has been driven to this hysterical state by the repressive nature of her husband's care and the sheer pressure and intensity of her physical and psychological prison. Unlike the typical Jungian Heroic sacrifice, however, nothing is achieved at the end of the story; the land is not restored to fruitfulness by her sacrifice.

Gilman, Charlotte Perkins. †The Yellow Wallpaper and Other Stories.

Mineola, New York Dover Trift Editions, 17.

Guerin, Wilfred L., et al. A Handbook of Critical Approaches to Literature.

New York Oxford University Press, 1.

Jung, Carl G. Man and His Symbols. New York Dell Publishing Co. Inc., 164.

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Jungian/Archetypal Interpretation of Charlotte Perkins Gilman's The Yellow Wallpaperor This Yellow Wallpaper with all its archetypes is driving me INSANE!

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Although every culture has its own distinct folklore and mythology, there are certain image patterns that seem to be universal. These image patterns, or archetypes, are closely related to both oral and written storytelling, and strike †'some very deep chord' in human nature (Guerin 158), eliciting a common response, whether conscious or subconscious, from the reader or listener. Archetypes appear time and time again in literature; their presence can determine whether or not a piece of writing is considered a classic. Charlotte Perkins Gilman's short story, †The Yellow Wallpaper, is a voyeuristic examination of the psyche of a woman suffering from †temporary nervous depression â€" a slight hysterical tendency (Gilman 1), who is driven to full-fledged hysteria after being trapped in a yellow-wallpaper-ed prison. Jungian Archetypal theory is an offshoot of psychological analysis, as Jung was one of Freud's students, and therefore the two theories are often closely linked in literary criticism. Archetypal analysis is appropriate for this psychological story because it includes aspects of Freud's theory while giving it a broader scope. †The Yellow Wallpaper contains several reversed or negative archetypes that appear as the narrator furthers her inverted ‘quest' to free her shadow, or her descent into insanity.

As archetypal analysis deals quite often with the conscious and subconscious mind, the two parts of the †Self (Jung ) figure greatly in this critical theory. In †The Yellow Wallpaper, the narrator is trapped in a prison-like room, and sees images in the wallpaper that come to look like a woman trapped behind bars. This †creeping woman is, in Jungian terms, the narrator's shadow,

or a dissociation of her Self. Shadows and dissociations often contain the darker, more aggressive or sexually liberated aspects of the person's psyche (Jung 7) in this instance a sort of freedom of thought as well as escapism. The trapped woman can get out in the daytime, creeping around the garden or †away off in the open country, creeping as fast as a cloud shadow in a high wind (Gilman, 1). The narrator, on the other hand, can only creep behind the locked doors of her prison, when she is completely alone.

The shadow could also be the woman's animus- †the male personification of the unconscious within a woman (Jung 18). Even though she is female, the shadow is more aggressive than the passive, nervous narrator, embodying what are traditionally considered more ‘masculine' traits. And while the animus does not quite represent the Jungian †demon of death (Jung 1), in this story, it does, in a way, herald the death of the narrator's sanity. Just as the woman behind the paper serves as a manifestation of the struggle between the two forces of the narrator's Self, her contradictory monologues and the swings in her mental state as shown through her journal entries are a written expression of her internal conflict that eventually leads to her losing her mind.

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These two forces of the narrator's Self come together in a very symbolic scene, where the two women meet at the bars and work together to get †the poor thing out (Gilman 1). From then on the narrator says †I and not †she, having completely identified with her woman behind the wallpaper, and declined into complete madness. With this, Gilman suggests that a person can release the

dark recesses of his or her psyche and combine the different aspects of the self, but not retain stability, as an imbalance is created.

One of the most important and commonly seen Jungian Archetypes is the Hero archetype of transformation or redemption, who comes in three stages Quest, Initiation and Sacrifice (Guerin 167). The narrator in Gilman's story falls into the latter Hero archetype (transformation), going through her own personal quest, initiation and sacrifice, although not as a scapegoat or atonement. Her

quest is inverted, more of a descent, really, as she spends the summer in the room with the hideous yellow wallpaper and becomes increasingly ill despite her physician husband John's protestations of †Really dear you are better (Gilman ). At first the narrator finds the paper †repellent, almost revolting; a smouldering unclean yellow (Gilman ), but gradually feels that she is the only one who can understand it and not be affected by it. Her quest changes as she sees the image of a trapped woman in the paper, and she devotes her attentions to getting this woman out, eventually realizing that she herself is trapped. Her impossible initiation tasks are not epic or mythological in the conventional literary sense, but her internal struggle is no small feat. The sacrifice at the end is of her mind. She has been driven to this hysterical state by the repressive nature of her husband's care and the sheer pressure and intensity of her physical and psychological prison. Unlike the typical Jungian Heroic sacrifice, however, nothing is achieved at the end of the story; the land is not restored to fruitfulness by her sacrifice.

Gilman, Charlotte Perkins. †The Yellow Wallpaper and Other Stories.

Mineola, New York Dover Trift Editions, 17.

Guerin, Wilfred L., et al. A Handbook of Critical Approaches to Literature.

New York Oxford University Press, 1.

Jung, Carl G. Man and His Symbols. New York Dell Publishing Co. Inc., 164.

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