Loot by Joe OrtonThe Central Concerns of the Play and How they are Dramatised

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Loot by Joe Orton

The Central Concerns of the Play and How they are Dramatised

Loot is a satire the normal moral conventions of behaviour in civilised, Western, society are turned upside down and the rules are broken down. This is epitomised by Truscott as a symbol of law and authority doing what he should not do. He does not uphold the law and he breaks the law in his investigation by deception, violence and dishonesty and corruption. Orton wrote the Play in the 160's which was a time of social re-evaluation and he attacks all the bastions of the Western world religion, law and order, love and marriage, and respect for the dead. He relies on dramatic irony and the collusion of the audience to understand the moral message hidden in the comedy of the Play.

The structure of the Play mirrors a detective story in many respects. A crime has been committed and a detective has to solve it. Truscott is a parody of the detective novel detective with his pipe and magnifying glass and pedantic language. In Act One the exchange between Truscott and Fay reads like an Agatha Christie or Sherlock Holmes novel with the totally unrealistic reading of clues

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TRUSCOTTMy methods of deduction can be learned by anyone with a keen eye and quick brain. When I shook your hand I felt a roughness on one of your wedding rings. A roughness I associate with powder burns and salt. The two together spell a gun and sea air. When found on a wedding ring only one solution is possible.

The characters are mainly stereotypes and the dialogue offers no insight to their feelings. They have no psychological depth and are merely over-simplified images used to comment on the institutions or conventions they represent. Fay is a nurse who kills rather than heals and is the archetypal hypocritical religious plaudit who uses Catholicism for her own ends. This is acknowledged by her comment on Mrs McLeavy believing in some of the Ten Commandments. Hal represents truth in that he cannot tell a lie and McLeavy represents innocence. Truscott is the law, justice and authority. Dennis is less easy to categorise as he is a truly dishonest and totally unsympathetic character.

Orton uses the audience's feelings to create a contrast. They presumably have decent moral feelings that react to the complete absence of feelings in the characters on the stage. One would expect certain emotions from a son whose mother has just died, but they are not present. McLeavy shows some regret, but the audience cannot take his sentiments seriously when he shows more feeling and interest in the flowers for the hearse than he does for his wife. This collusion with the audience is part of the technique and nature of satire, but Orton goes further by using as his material the subject of the death of a mother and wife while showing no respect for the dead and no grief. He dramatises the fact that he is dealing with the conventions associated with the situation and not with the emotions.

One of the central concerns of the Play is hypocrisy and this is neatly dramatised by the lack of emotion while following the conventions and formal rites of religion associated with death the pageantry of the funeral car procession, the flowers, the black dress (borrowed from the dead woman), the veil of mourning and the book of the Ten Commandments. Orton criticises almost every sacrosanct element of religion with his priest who cannot keep confidences after confession and his religious fanatic nurse who is a murderer. Orton is also questioning the matter of the truth. Hal is unable to tell a lie and he always speaks the truth, but he is not honest. Sometimes he is not believed and on other occasions he does not tell all

TRUSCOTTBut he is stupid. He's just admitted it. He must be the stupidest criminal in England. Unless - unless, unless he's the cleverest.

Orton uses simple dialogue and everyday vocabulary in a realistic way, however, it does not always say what it appears to and one of the frequent comedy techniques of his writing is verbal misunderstandings and double meanings. He uses dramatic irony in that the audience know of Hal and Dennis' guilt and of Fay's intentions. What is not clear until the end of the Play is that it is a form of double irony as it appears that Truscott knew more than we thought.

There is a consistent motif in the Play concerning deception and how things are seen. There are symbolic tools and non-verbal messages representing hiding and disguise, such as the coffin, the wardrobe and the screen and much of the comedy derives from hiding the body and the potential discovery. But this is more than a comic device, it is part of the satire and the attack on social norms and hypocrisy. It is dramatised especially effectively by the false eyes of the corpse being false and of the wrong colour. If eyes are taken to represent the windows to the soul, as well as being the most identifiable part of the body then this is still more shocking. The corpse is no longer a person as it has no innards (no heart) and no eyes and truly is just the 'dummy' that Hal and Fay pretend it is. Yet, this is how most bodies are buried. There is all the pomp and ceremony of the funeral and 'respect for the dead' over a body that has already been defiled and rendered neutral.

A repeated conflict in the Play is that between truth and honesty - how things appear and how things really are. In a Shakespearean play this would be represented by two different worlds, but Orton shows us the world beneath the surface in one world and asks us to reflect upon ourselves and our society. Orton is saying that the innocent and the 'meek' shall not inherit the earth and that the winners are those who know the rules. However, with the expert cut of his satire the audience knows that his message to us is that this is not how life should be. Although the title of the Play is "Loot" this does not seem to be a central concern of satire unless one takes it to mean that money and the desire for wealth have overturned all moral values, displacing respect for the dead as it displaces the body in the coffin.

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The grimm vs disney

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Every Girls Dream An Anaylsis of The Tale of Cinderella Through Time and Culture

Remember back to sitting in a large circle in kidergarten. The game is Telephone; the game starts with the first person whispering a phrase in to the next person's ear and that person repeats the phrase into the next, and so on and so forth. When it come to the last person the line stops and they say the sentence aloud and it usually ends up being much different then that of the what the first person said. The more people in the cicle the more distorted your phrase becomes. This is the best metaphor to use when describing what happens to fairy tales as they cross through cultures and generations although the character, plot, or moral (s) stays the same the detail of the story changes to suit the current society. Fairy tales as we know them today are much different then they used to be, originally fairy tales were meant for adult audiences and were not intended for children's ears for they contained gruesome acts, and sexual conduct. It was not until the Victorian era that fairy tales became stories meant for children. Also it wasn't until the Victorian era that the fairy tales were told by men, prior to this era, fairy tales were told and written by educated women, the Victorian era brought about middle class men writing fairy tales, and even still many of them admitted to collecting or being inspired by women for their tales. This is when most of the drastic "cleaning up" of the stories took place, and this process of sweetening up has continued in to the present. One of the world's most famous fairy tales of all time is Cinderella a classic fairy tale whih has been dated back to the stone ages. Through all the various versions of Cinderella it creates the ideal story for a children's fairy tale and in all of the versions ultimately shows the triumph of good over evil and shares a universal theme despite it's cultural influences in additional characters and setting to becomes the world's most popular and timeless classic.

In all of the versions of Cinderella is the man's daughter, and he always obtains an evil stepmother, who has another daughter or two who are as evil as the mother herself. The fact that Cinderella is always the daughter of the man due to historical accuracy and the talling of the real life in the times that these fairy tales started, many times women died during labour. And that the stepmother is evil because many times men would be presauded in to marrying some one who is not nice because they wanted a women to raise the child because they were better at it then men were. Also the evilness of the other women in the household is brought out by jealousy

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Paper on Tostino coffee

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Tostino Coffee Roasters began roasting in 184, is the best-tasting boutique coffee in the nation comes not from the intimate cafes of Seattle or the micro roasters of San Francisco, but from nondescript industrial building on the South Side of Tucson.

Today, Tostino Coffee Roasters is successful in producing one of the finest specialty gourmet coffee lines in the Unite States and Mexico. The company is known for the quality of its coffees. Due to stringent quality control standards it maintains, Tostino has been successful in producing one of the finest specialty gourmet coffee lines in the United States industry. Tostino has its own selection process and qualifications which submits every green coffee samples sent to it. Tostinos has proven to only select and offer the best quality ever, this is why the company rejects more than 70% of all green coffee samples. Throughout the processing

of the coffee beans, Tostinos maintain their custom machinery to the highest sanitary standards. Their master roasters are also constantly tweaking temperatures, taking

samples, testing over and over again to assure you the fines beans for a quality cup of coffee.

Tostino coffee Roasters imports select Arabic green beans from over 0 countries around the world. Coffee origin from Brazil, Colombia,

Mexico, Hawaii, Indonesia, Costa Rica, Papua New Guinea, kenya, Guatemala, Jamaica, Etiopía, El Salvador, Peru, and Nicaragua which are imported to the US usually by sea.

At Tostino, the roasting of carefully selected high mountain gorwn beans is a very skilled craft. Different beans require different toasting temperatures for different lengths of time.

Correct heat must be reached quickly and the beans must always be watched carefully. This process is best achieved in a small tended roasts on a daily basis, we continue to monitor with additional tastings to achieve consistent

and optimum flavor. We use fluid bed roasters, which circulate the beans during the roasting process in the air this method heats the entire surface of

the bean and penetrates through the bean much more effectively.

Tostinos offers the following products

(Info retrieved from www.tostino.com)

Different Roasts

Full City Roast, Tostino uses this roast for mos to its coffees. This is a deep, chestnut brown color with the lightest of natural coffee oils on the bean surface, achieving the maximum flavor and Aroma.

Vienna Roast, the lightest of the darker roasts, with the slightest bittersweet tang.

French Roast, roasted until the surface is covered with aromatic oils, a definite bittersweet tang, and slight smokiness.

Italian Roast, the flavor is dominated by a smoky, burnt taste and a very dark brown, almost black, shiny, oily surface.

Decaf Coffees

European Process, this process utilizes solvents and steam that remove the caffeine from the bean. The coffee oils and the coffee are the rejoined to achieve the optimum flavor resulting in 7% caffeine extraction.

Natural Process, a new process utilizing water and ethyl acetate, a substance derived from fruit. This is a process that results in 8% extraction of caffeine.

Swiss Process, beans are immersed in hot water, which is then filtered through activated charcoal. This results in extraction of 7% of the caffeine. No chemicals are used in this process.

Organic & Flavored Coffees

Organic Coffees

All Caf Tostino coffees are OCIA certified organic. They are grown without the use of pesticides, fungicides, herbicides or synthetic fertilizers. These include Colombian, Costa Rican, Peruvian, Guatemalan and French Roast Mexican.

Flavored Coffees

Premium grade coffees, just out of the roaster and artfully blended to create an authentic taste. Flavors include French Vanilla, Cream Brulee, Irish Cream, Hazelnut and Mocha Fudge.

Blended Coffees

After multiple taste tests, Caf Tostino carefully blends new combinations of coffee, offering a unique complexity and balance. Selections include Kona Blend, Gourmet Espresso Blend, Organic House

Blend, Decaf Mocha Java Blend, Messina Espresso Blend and Sunrise Blend.

Espresso

Espresso coffee is made by forcing water under pressure very quickly through finely ground coffee. This produces a 1½ ounce drink with a tan layer of creme, the heart of espresso, on top. Our espresso blends range from mild to very complex. Using Brazils, Africans, and Indonesians, Caf Tostino strives to create a mellow cup.

Euro Espresso Blend

Dark roasted exotic coffees blended for that perfect, smooth, full-bodied cup.

Gourmet Espresso Blend

Traditional Italian flavor with a blend of dark and full city roast coffees.

Italian Espresso

Velvety and dark.

Messina Espresso Blend

Dark roasted coffees that capture the full flavor of a Viennese espresso.

Traditional Espresso

Lighter roasted, with no bitterness

Distribution is through out restaurants and the food service industry in the United States and Mexico.

Tostinos makes .5 Million dollars annually and is rank seventh among the exporters in Arizona.

Tostino is a full manufacturing and packaging facility, including roasting machines, and automated packaging machines.

Besides a growing online marketing program, Tostino is available locally at Rincon Market and Coffee X Change coffee bars.

Nationwide, Tostino is in approximately 1000 retail stores. One of its biggest accounts is 1 Costco discount warehouse stores in the West and Sam's Clubs and Smart and Final discount stores, and in-store coffee bars in Wal-Mart. Tostino also distributes coffee to hotels, restaurants, and the food service industry in this country and Mexico.

The Award from the American Tasting Institute honored Tostino with

an Award of Excellence for its coffee. Tostino, which competed against

Starbucks and Emeryville, Calif. Based Peet's Coffee, also was named a Best-of-show winner. The highest award is Best of Show and next highest is Excellence.

The process of selecting coffee beans, each coffee order is custom batched and freshly roasted. The expertise of Tostino Rastmasters, choose only the finest beans from various estates, growers and distributors

worldwide, the perfect environmental conditions of the plantations, the experience of the plantation owners and the close attention to every detail all come together in the unique taste of the "ultimate cup" of coffee.

Located in Tucson Tostinos formed 1 years ago and has evolved from two employees to its present staff of about 0 and nine in its Mexico city office and still continuing to grow. Tostinos is one of the largest roaster in Arizona and service many of the finer white table cloth restaurants, grocery chains, hotels, offices, and the consumer.

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Chaucer characters

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The Reeve

Chaucer gives the reader a very detailed physical description of the Reeve. The Reeve is described as a slender, old and choleric man. He is cleanly shaven and has short hair. He seems to have a witty attitude about him and a sharp tongue. A Reeve acts as a manager. This Reeve is the manager of an estate and he oversees all work done on the estate. He is very proficient at his job and he can easily pick out cheating by those who work under him. Those under him are not the only ones that must be watched for any kinds of cheating as this Reeve is inclined to do it himself for his master is a young, vulnerable target. The Reeve is also a skilled carpenter.

Sergeant of the Law

The Sergeant of the Law is considered a man of high ranking in the social class. The people consider him to be a wise, good man. He is a Justice of Assize. He knows the law as well as anyone of the time. The Sergeant wears silk and pinstripe as well as a multicolored coat. Chaucer seems to imply that he is not as smart or as good of a person as the people think. This shows that the Sergeant is very skilled at the art of persuasion and appearance.

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Summoner

The Summoner's physical appearance is not a pretty one. He is described as having a pimply, red face with no beard or eyebrows. Children are frightened at the ugly

appearance of the Summoner. Chaucer portrays him as morally corrupt. The Summoner is a low-ranking church officer who summoned people to appear in church. The Summoner is a drinker and is not a kind man.

The Skipper

Chaucer portrays the skipper as a rugged man. The Skipper is the captain of a ship. He is described as wearing a brown gown and unfamiliar at horseback riding. Chaucer also states that he is hardy and prudent in his undertaking. He has a dagger hanging from his neck; this implies that he is familiar with battle. In his ship he wins many battles. The Skipper is an expert navigator and he has a fond knowledge of the ocean as well as many of the creeks and rivers of Spain. The Skipper ignores his conscience and has many negative traits. He kills his prisoners by making them walk the plank.

The Pardoner

The Pardoner is a man who sells pardons for the church. Pardons are ways of washing away ones sin. The only difference is a pardon is bought and is morally wrong. The Pardoner is described as having straight yellow hair. The Pardoner also has a high-pitched voice and no facial hair suggesting he is not mature in appearance. Chaucer tells the reader that the Pardoner is very skilled at his job. Chaucer does not, however, compliment the skills of the Pardoner. The Pardoner sells the pardons but tricks the buyer into buying them. The Pardoner is not considered a good man.

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Recycling

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Alcohol Orwell uses beer to represent the Old Russia. He first notes that the reason Jones lost control of the farm and began being cruel to the animals was because of alcohol. It symbolizes, more than anything, a corrupt government a government drunk on prosperity (a prosperity which never trickles down to the common animal). But its eventually this drunkenness which ruins and leads to the inevitable collapse of this system. Jones lost power over the animals when he became drunk and lazy; even Napoleon will eventually be overthrown because of the alcohol he intakes. Orwell alludes to this near the end of the book when he says that in generations to come there will be still more uprisings. Some day it was coming it might not be soon, it might not be within the lifetime of any animal now living, but still it was coming.

Alcohol was originally seen as a grave evil of the new regime.Old Major repeatedly warns the animals against taking on Mans ways, but his concerns are not heeded. Really it was the issue of alcohol that made many of the animals suspicious of the pigs. Thus, Napoleon had Squealer change the commandments.

Its interesting that even today many of the Russian leaders have a drinking habit.

Environment Recycling In many areas of the world an abundance of recycle materials are being dumped into landfills and burned in incinerators. In spite of growing use for these materials with recycled content, this remains the largest waste problem for most communities. Here in the valley we can make a difference by recycling paper, plastic and water. Most types of paper can be recycled in different ways. Having a program to recycle at home and work can also be helpful. One way to recycle is saving your newspapers and dropping them off at recycling bins, this will prevent landfiEnvironment Recycling In many areas of the world an abundance of recycle materials are being dumped into landfills and burned in incinerators. In spite of growing use for these materials with recycled content, this remains the largest waste problem for most communities. Here in the valley we can make a difference by recycling paper, plastic and water. Most types of paper can be recycled in different ways. Having a program to recycle at home and work can also be helpful. One way to recycle is saving your newspapers and dropping them off at recycling bins, this will prevent landfills from getting full.lls from getting full.Environment Recycling In many areas of the world an abundance of recycle materials are being dumped into landfills and burned in incinerators. In spite of growing use for these materials with recycled content, this remains the largest waste problem for most communities. Here in the valley we can make a difference by recycling paper, plastic and water. Most types of paper can be recycled in different ways. Having a program to recycle at home and work can also be helpful. One way to recycle is saving your newspapers and dropping them off at recycling bins, this will prevent landfills from getting full.

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Changing Representation Of Sexuality And Gender In Regards To The Haunting(1963) and The Haunting(1999)

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The Haunting Sexuality & Gender

The two versions of 'The Haunting' are both different and each signals the values of contemporary society (or what was contemporary at the time of release).

Robert Wise's 16 version of the film, 'The Haunting', showed a different representation of women than in Jan DeBont's 1 remake. This is due to the changing attitudes towards sexuality and gender of contemporary society.

In Wise's version, the main character, 'Eleanor' or 'Nell' (Julie Harris), is very frail and is shown as a believably naïve and emotional spinster. Whereas, in contemporary society, it would not be acceptable to portray a woman in this way. So, Jan DeBont had to change the character's personalities to adapt to the change in societal values. Hence, why the 1 version of the film shows 'Nell' (Lili Taylor) as a young, attractive and determined woman.

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However, the character of 'Theodora' in the 16 version (Claire Bloom) is shown as confident and wealthy. This could be Wise's attempt at showing that at the time values were changing and that women were starting to stand up against traditional principles. Also, from the extract I watched, it seemed as if 'Theo' was not exploited as a sex object. Also, I noticed subtle hints of homosexuality/lesbianism through her dialogue. For example, when 'Nell' and 'Theo' first meet, 'Theo' smiles at 'Nell' and says,

"we shall be like sisters"

as if implying a sexual tone to her voice. It seems in the 16 version Wise is trying to imply a change in sexual attitudes but keeping a low profile as not to offend the more traditional viewers of the film.

This is certainly not the case in DeBont's 1 remake, in which, when 'Theo' (Catherine Zeta-Jones) and 'Nell' first meet, 'Theo' immediately starts talking about both her boyfriend and girlfriend immediately showing us she is bi-sexual. This is because it is not a 'frowned against' issue in today's society; whereas, in 16 it would still be very much opposed against, although just starting to become more open.

The last of the characters in the extracts was 'Mrs Dudley'. When compared, these two characters from 16 and 1 are very much the same a dominant woman who seemingly knows about (and secretly fears) the house. The only differences I can seem to find is that the 16 character (Rosalie Crutchley) is not as important in setting the scene and also appears to have a nice side to her (which we can see when she smiles at 'Nell'). The 1 character (Marian Seldes) does not have this. She is much more the dominant character and is not fazed by 'Nell' or 'Theo'. This could possibly show the recent lack of respect for authority in modern society. We can see this when 'Theo' does not appear to be listening to 'Mrs Dudley' in the 1 remake.

The audience for the first version of the film in 16, I believe would have been mostly women. This is because of the two female leads dominating the movie. However, the 1 version seemed to attract both a large male and female audience. I think that this was because there was more put into the film for the male audience. For example, Catherine Zeta-Jones was exploited as a sex object in the 1 version; the special effects could also have influenced more of a male audience.

The changing values of society meant that when DeBont remade the original in 1 he had to not just make changes to the characters but the setting and props as well. Society does not get as scared as easily anymore. So when I looked at the sets I noticed that the original 'Hill House' was just a large, clean, house with low ceilings and teak furniture. This is not the type of setting that would put the chills up contemporary society. This is why the sets and props have changed in the 1 remake. The house is still a large mansion but its interior has carved faces and gargoyles scattered throughout the building. The fireplace, bedrooms and dining rooms are all huge and extravagant. Although 'Mrs Dudley' is a cleaner, the place is still dusty giving the contemporary audience a spooky feel.

There are assumptions made about the sexuality of the characters in both films and in both, 'Nell' comes under that issue. Although in the 16, we believe very slightly that 'Theo' may be homosexual (through her dialogue and facial expressions aimed at Nell), it's clearly the case in the 1 version (in which 'Theo' proudly announces her bi-sexuality). But the assumptions that are made come from 'Nell's' reactions to this. In the original 16 version, 'Nell' befriends 'Theo' on first sight without knowing anything about her. So in this version it is only very subtle. However, in this 1 version of the film, 'Nell' reacts differently as 'Theo' changes, 'Nell' turns away but watches her undressing in the mirrors reflection this could be hinting lesbianism. Also, what I notice was that when 'Theo' asked 'Nell' if she had a boyfriend, 'Nell' was straight-faced, but when asked if she had a girlfriend, 'Nell' smiles to herself before turning and replying 'No'. This again points toward 'Nell' being lesbian. The closeness of the friendship also signifies lesbianism as 'Nell' does seem interested in 'Theo' but not in any of the men (which we see as the movie progresses).

The narrative in the 16 version was mainly from 'Nell's' P.O.V. This was also emphasised by Wise's use of an interior monologue. Whereas in the modern version, we notice that it is more omniscient. We don't get the interior monologue although we do get 'Nell' talking out loud to herself (sort of an exterior monologue). I think this is because the majority of contemporary society prefers to know as much about what is going on all round rather than just from what is happening in one place (however there are exceptions).

Finally, the two extracts are different because of the change in sexuality and gender issues from 6 to 1. What was frowned upon in 16 is not as big an issue anymore. Society is more open to different attitudes and roles and this can be shown through film.

Please note that this sample paper on Changing Representation Of Sexuality And Gender In Regards To The Haunting(1963) and The Haunting(1999) is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Changing Representation Of Sexuality And Gender In Regards To The Haunting(1963) and The Haunting(1999), we are here to assist you. Your persuasive essay on Changing Representation Of Sexuality And Gender In Regards To The Haunting(1963) and The Haunting(1999) will be written from scratch, so you do not have to worry about its originality.

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What do some Muslims say about Islam

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1. Social Impact of Qur'an and Hadith and how can it change the society?

Islam is the only religion which actually provides a whole outline to spend life. The religion of Islam is superior to any other in that it guarantees happiness in mans life. For Muslims, Islam is a belief system with moral and practical laws that have their source in the Quran.

God, may He be exalted, says, Indeed this Quran guides to the path

which is clearer and straighter than any other [XVII ].

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He also says, We have revealed to you the book which clarifies every matter [XVI 8].

Islam teaches moral virtues and a general legal system governing all aspects of human behaviors. Quran provides a comprehensive program of activity for mans life. Any action undertaken by man, whether it be eating, sleeping or walking, occupies its own specific place and demands its own particular efforts. Yet an action is implemented according to an inherent law, the general concept of which is stored in mans perception and is recalled by motions associated with that action. This notion holds true whether or not one is obliged to undertake the action or whether or not the circumstances are favorable. By practicing Islam and the preaching of Qur'an we can develop an ideal society.

Every man, in respect of his own actions, is as the state in relation to its individual citizens, whose activity is controlled by specific laws, customs and behavior. Just as the active forces in a state are obliged to adapt their actions according to certain laws, so is the social activity of a community composed of the actions of each individual. If this were not the case, the different components of society would fall apart and be destroyed in anarchy in the shortest time imaginable.

If a society is religious, its government will reflect that religion; if it is secular, it will be regulated by a corresponding code of law. If a society is uncivilized and barbaric, a code of behavior imposed by a tyrant will appear; otherwise, the conflict of various belief-systems within such a society will produce lawlessness.

Thus man, as an individual element of society, has no option but to possess and pursue a goal. He is guided in the pursuit of his goal by the path which corresponds to it and by the rules which must necessarily accompany his program of activity. The Quran affirms this idea when it says that every man has a goal to which he is turning, so compete with each other in good action [II 148]. In the usage of the Quran, the word din is basically applied to a way, a pattern of living, and neither the believer nor the non-believer is without a path, be it prophetic or man-made.

God, may He be exalted, describes the enemy of the divine din (religion) as those who prevent others from the path of God and would have it crooked [VII 45].

This verse shows that the term Sabil Allah- the path of God - used in the verse refers to the din of fitrah - the inherent pattern of life intended by God for man. It also indicates that even those who do not believe in God implement His din, albeit in a deviated form; this deviation, which becomes their din, is also encompassed in Gods program.

. How Islamic society has changed from the past and what can be done to change the Society (Compare from past to present Islamic Society)

Many of the accepted Islamic religious and cultural traditions were established between the 7th and 10th centuries, during the classical period of Islamic history. However, Islamic culture continued to develop as Islam spread into new regions and mixed with diverse cultures. The 1th-century occupation of most Muslim lands by European colonial powers was a main turning point in Muslim history. The traditional Islamic systems of governance, social organization, and education were undermined by the colonial regimes. Nation-states with independent governments divided the Muslim community along new ethnic and political lines.

Today about 1 billion Muslims are spread over 40 predominantly Muslim countries and 5 continents, and their numbers are growing at a rate unmatched by that of any other religion in the world. Despite the political and ethnic diversity of Muslim countries, a core set of beliefs continues to provide the basis for a shared identity and affinity among Muslims. Yet the radically different political, economic, and cultural conditions under which contemporary Muslims live make it difficult to identify what constitutes standard Islamic practice in the modern world. Many contemporary Muslims draw on the historical legacy of Islam as they confront the challenges of modern life. Islam is a significant, growing, and dynamic presence in the world. Its modern expressions are as diverse as the world in which Muslims live.

There is no need to actually change the society as compare to the old Islamic society and present Islamic Society. The only step that must be taken is to preserve the Islamic values, and Islamic culture. If one practices Islam accordingly, no matter if he takes everything extremely or casually, he/she would be able to live a perfect life in regards to Islam. Muslims should be more co-operative with each other and they should be more conservative (when it comes to Islamic teachings).

The belief in the unique nature of the Qur'an has led Muslims to devote great intellectual energies to the study of its contents and form. In addition to interpreting the scripture and deriving doctrines and laws from it, many disciplines within Qur'anic studies seek to understand its linguistic and literary qualities as an expression of its divine origins. If a Muslim wants to live with Islamic origins, then he/she should read Qur'an. It seems that God in this holy book is talking to the reader, only if the reader concentrates.

. Brotherhood

The importance of brotherhood in Islam can not be over stressed. There are many hadiths relating to the fact the Muslims are a single united body, each part responsible for the other. Accordingly if one of the parts is injured or hurt then the rest of the body immediately feels that pain and is certainly uncomfortable at the situation until it is rectified without delay. The brotherhood of Muslims is a very deep and wide concept that guarantees the safety and well being of the Society at large. Islam being a complete way of life is primarily for the society, it promotes a healthy and a well disciplined life style in every sense of the word.

Brotherhood is synonynous with Islam. It is a force for good, a purveyor of peace and justice for everyone. It provides stablility in a quarrelsome world. To the downtrodden and oppressed everywhere in the past, it provided freedom. When it was powerful, it even saved the Jews and Christians in Palestine and Spain from each other.

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